The Wire's Frances Morgan speaks to artist, composer and field recordist Annea Lockwood about her recent performance at London's Flat Time House and plays music chosen by Lockwood, including work by Cathy Lane, Judy Klein and Maggi Payne
Frances Morgan hosts another instalment of cassette-only sounds on The Wire's regular Thursday evening slot on Resonance FM. Tracks by Tashi Dorji, Cooper Bowman, LA County Morgue, and a selection of work released on Important Records' sublabel devoted to all things tape and cassette, Cassauna.
Frances Morgan hosts another cassette-only show on our regular Thursday evening slot on Resonance FM. With new releases from labels including The Tapeworm, Singing Knives, Sacred Phrases and more.
Another cassette-only show hosted by Frances Morgan for our regular Thursday evening slot on Resonance FM. Releases from Mika Vainio & Joachim Nordwall, Whirling Hall Of Knives, Seth Cluett and more, released by labels including Fort Evil Fruit, Rubber City, A Guide To Saints, Seconds and Tor Press.
This week's show on Resonance FM is hosted by Frances Morgan, playing music by Don Cherry, Ornette Coleman, Sonny Rollins and others, inspired by the recent Cherry primer in The Wire 353.
Our regular Thursday evening radio show on Resonance FM, this week hosted by Frances Morgan. Tracks by Steve Gunn, Glenn Jones, Paul Metzger, Marisa Anderson, Áine O’Dwyer and more.
Our regular Thursday evening slot on Resonance FM, hosted by Frances Morgan, with tracks by Haxan Cloak, Ghikas & Walshe, David Tudor, Zeitgeber, work made at Ghent University's Institute For Psychoacoustics And Electronic Music studio, and more.
Hosted by Frances Morgan, with tracks by Salah Ragab & the Cairo Jazz Band, Mikrokolektyw, Ashley Paul, Colin Stetson & Mats Gustafsson and more.
Hosted by Frances Morgan, with a special episode looking at the American drone collective Pelt's output over the last decade, alongside tracks from associated artists like Black Twig Pickers, Spiral Joy Band and Jack Rose. Pelt is featured in an article by David Keenan in The Wire 344.