Stream an exclusive track, "Love To Break The Fall" from Annie 'Anxiety' Bandez and Baby Dee's State Of Grace. Little Annie is the subject of The Wire 349's Invisible Jukebox feature, tested by Dave Mandl.
Stream the entirety of experimental radio collagist Ergo Phizmiz's Omniumusik, an unreleased album of music inspired by Flann O'Brien. Phizmiz is featured in an article by Clive Bell in The Wire 349.
Stream a selection of tracks that were played in The Wire HQ during the production of our March 2013 issue #349.
Listen to a selection of recordings made at Amsterdam's STudio for Electro-Instrumental Music, compiled and annotated by STEIM's most recent director, Takuro Mizuta Lippit aka dj sniff. STEIM's 40-plus years of activities are the subject of a feature by Will Montgomery in The Wire 348.
Listen to an exclusive track by Joshua Abrams and the Natural Information Society. Abrams is featured in The Wire 348 in an article by Bill Meyer.
Stream Daniel Lopatin aka Oneohtrix Point Never's full The Fall Into Time LP. Lopatin is featured in an article by Derek Walmsley in The Wire 348.
Stream some of the sounds that we've been listening to during the making of The Wire 348.
Stream a selection of tracks by artists covered by Jo Burzynska in The Wire 347 Global Ear, looking at the New Zealand city's post-quake experimental music scene.
Stream an unreleased track by Starkey, recorded for his Orbits album. Starkey wrote an Inner Sleeve article on Spiritualized's Ladies And Gentlemen We Are Floating In Space album in The Wire 346. Orbits is is out on Civil Music.
Stream a selection of sounds that we've been listening to at The Wire HQ during the making of issue 347.
Stream a compilation of music by artists on the Slowfoot label, selected by label boss Frank Byng. Slowfoot is featured in an article by Nick Southgate in The Wire 346.
Stream a sound-led radio drama based on the story of Orpheus and Eurydice, by Melanie Clifford, Alisdair McGregor and Howard Jacques. McGregor and Jacques are featured in an article by Zakia Uddin in The Wire 346.
Listen to a collection of tracks by artists on Rob Ellis aka Pinch's Tectonic label. Pinch is the subject of The Wire 346 Invisible Jukebox, tested by Joe Muggs.
Stream tracks by Kemper Norton, Hacker Farm and IX Tab. Farmer Glitch, Kek-W, Bren, IX Tab and Kemper Norton (pictured above) are featured in Matthew Ingram's article in The Wire 346 looking at electronic music makers and culture jackers in the UK's West Country.
Listen to a selection of the sounds that we were playing in The Wire offices for the November issue, including Nathan Bowles (of Pelt), Jan Jelinek, Production Unit and more.
Stream a selection of tracks compiled by Gabriel Stargardter, author of The Wire 346 Global Ear, looking at the cumbia sound systems in Mexico City's Tepito neighbourhood.
Stream a selection of tracks featuring the German jazz saxophone colossus. Brötzmann is featured in an article by David Keenan in The Wire 345, with a follow up article based on the same interview in The Wire 346.
Stream the entire soundtrack to artist Beatrice Gibson's new film inspired by the compositional techniques of Cornelius Cardew. Gibson is featured in an article by Julian Cowley in The Wire 345.
Stream recordings of Barely Accurate, a live performance by the Danish music collective, Yoyooyoy, featured in an article by Daniel Spicer in The Wire 345.
Listen to the entirety of Loren Connors & Suzanne Langille's I Wish I Didn't Dream album, out on Northern Spy Records in November 2012. Connors and Langille are the subject of The Wire 345 Invisible Jukebox, tested by Jason Gross.
Stream a selection of music from groups featured in The Wire 345 Global Ear Basque Country article by Mark Lore.
Listen to the sounds we've been playing on The Wire stereo while putting together the November 2012 issue.
Get warmed up for the Chicago Afro-futurist's performance at The Wire's Rewired event at the Royal Albert Hall on 10 October.
Listen to three audio excerpts from live recordings made at the premiere of Hideaki Takahashi's media opera. Biba Kopf reports on Takahashi’s hi-tech media opera work and La Fura Dels Baus’s post-Industrial take on Wagner's Ring cycle in The Wire 288.