The Wire

In Writing

Essay from Issue 339

Collateral Damage: Phil England

April 2012

Circulating music as resource-free downloads might reduce carbon footprints, but the fast turnover of the computers, MP3 players and mobile phones we play them on costs the Earth plenty, argues Phil England.

Essay

Collateral Damage: John Richards

March 2012

When John Richards of Dirty Electronics began manufacturing interactive sound devices such as a hand-held analogue synth, he tapped into a participatory social experiment in revitalising digitally numbed senses

Essay from Issue 337

Collateral Damage: Vicki Bennett

February 2012

In the early 2000s, increased bandwidth allowed recombinant artists to enter the gift economy. It’s a freedom we should defend at all costs, argues Vicki Bennett aka People Like Us