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Essay from Issue 349

Collateral Damage: Alex Neilson on Topic records

February 2013

As the Topic label prepares to put its vast archive online, Alex Neilson sees unexpected connections between folk music's pluralist roots and the new routes promised by digital culture.

Essay from Issue 300

The Wire 300: Simon Reynolds on the Hardcore Continuum: Introduction

February 2013

Simon Reynolds introduces a series of seven essays on his idea of a Hardcore Continuum. The essays all originally appeared in past issues of The Wire.

Essay from Issue 300

The Wire 300: Simon Reynolds on the Hardcore Continuum #1: Hardcore Rave (1992)

February 2013

technicalecstasy

Originally published as "Technical Ecstasy" in The Wire #105 November 1992.

Essay from Issue 300

The Wire 300: Simon Reynolds on the Hardcore Continuum #2: Ambient Jungle (1994)

February 2013

Hardcore+Continuum+%232

Originally published as "Above The Treeline" in The Wire #127 September 1994.

Essay from Issue 300

The Wire 300: Simon Reynolds on the Hardcore Continuum #3: The State Of Drum 'n' Bass (1995)

February 2013

Illustration+by+Claudia+Andrei

Originally published as "Sounds Of Blackness" in The Wire #136 June 1995.

Essay from Issue 300

The Wire 300: Simon Reynolds on the Hardcore Continuum #4: Hardstep, Jump Up, Techstep (1996)

February 2013

Wire_300_Reynolds_Dark

Originally published as "Slipping Into Darkness" The Wire #148, June 1996.

Essay from Issue 300

The Wire 300: Simon Reynolds on the Hardcore Continuum #5: Neurofunk Drum ‘n’ Bass Versus Speed Garage (1997)

February 2013

Reynolds2Step

Originally published as "2 Steps Back" in The Wire #166, December 1997.

Essay from Issue 300

The Wire 300: Simon Reynolds on the Hardcore Continuum Series #6: Two-Step Garage (1999)

February 2013

Reynolds2Step2

Originally published as "Adult Hardcore" in The Wire #182 April 1999.

Essay from Issue 300

The Wire 300: Simon Reynolds on the Hardcore Continuum #7: Grime (And A Little Dubstep) (2005)

February 2013

Grime+Primer+artwork+by+Savage+Pencil

Originally published as "The Primer: Grime " in The Wire #254, April 2005.

Essay from Issue 300

The Wire 300: Alan Licht on the emergence of experimental DJ culture

February 2013

The+Wire+%23138+August+1995

A previously unpublished essay by NYC's own Alan Licht, specially commissioned to mark the magazine's 300th issue.

Essay from Issue 300

The Wire 300: David Stubbs on Sonic Youth and the Blast First axis

February 2013

Sonic+Youth

A previously unpublished essay by David Stubbs, on Paul Smith's Blast First label and Thurston Moore and Kim Gordon's Sonic Youth.

Essay from Issue 300

The Wire 300: Will Montgomery on the changing uses of field recordings

February 2013

Chris+Watson%3A+Geyser+Recording

A previously unpublished artlcle commissioned especially for The Wire 300 online season.

Essay from Issue 300

The Wire 300: The Dead C’s Bruce Russell searches for new sonic hybrids in the rubble of modernism

February 2013

Burial

Previously unpublished essay commissioned for The Wire's online 300th issue celebrations

Essay from Issue 300

The Wire 300: Joe Stannard tracks Metal’s journey from the mosh-pit to the art house

February 2013

wire300venom

Previously unpublished essay commissioned for The Wire's online 300th issue celebrations

Essay from Issue 300

The Wire 300: Dan Warburton on the sound sorcerors of EAI

February 2013

Otomo+Yoshihide+turntable

Previously unpublished essay commissioned to celebrate The Wire's 300th issue

Essay

The Wire 300: Keith Moliné on the rise of Noise

February 2013

merzbow

Previously unpublished essay commissioned to celebrate The Wire's 300th issue

Essay

The Wire 300: David Keenan locates the roots of the UK’s current DIY underground in the anarchic activities of The A Band

February 2013

A_Band_Wire300

Previously unpublished essay commissioned to celebrate The Wire's 300th issue

Essay from Issue 300

The Wire 300: Joe Muggs on Warp’s Artificial Intelligence series

February 2013

artificial_warp

Previously unpublished essay commissioned to celebrate The Wire's 300th issue

Essay from Issue 300

The Wire 300: Alan Cummings on the origins of the Tokyo underground sound

February 2013

Minor

Previously unpublished essay commissioned to celebrate The Wire's 300th issue.

Essay from Issue 300

The Wire 300: Peter Shapiro celebrates two landmark moments in cut ’n’ paste culture

February 2013

cutnpaste

Previously unpublished essay commissioned to celebrate The Wire's 300th issue.

Essay from Issue 300

The Wire 300: Byron Coley commemorates one of the New Weird America’s founding fathers

February 2013

john_fahey_wire300

Previously unpublished essay commissioned to celebrate The Wire's 300th issue.

Essay from Issue 348

Collateral Damage: Mark Fell

January 2013

Mark+Fell%27s+Max+patch+for+Multistability+Track+7

Mark Fell argues that the limits of technological systems do not frustrate creativity.

Essay from Issue 33

Dave Brubeck: The Unsquare Dance

December 2012

Blue Rondo a la Richard Cook...

Essay from Issue 284

Richard Cook Tributes

November 2012

A collection of tributes to the late former editor of The Wire, who died August 2007

1 2 3 4 Next >

Artists

  • A Guy Called Gerald
  • Albert Ayler
  • Derek Bailey
  • Bedouin Ascent
  • Black Dog
  • Boredoms
  • David Bowie
  • James Brown
  • Amanda Brown
  • Dave Brubeck
  • Cabaret Voltaire
  • The Caretaker
  • John Coltrane
  • Chris Cutler
  • Miles Davis
  • The Dead C
  • Klaus Dinger
  • Dizzee Rascal
  • Eric Dolphy
  • Drexciya
  • John Fahey
  • Morton Feldman
  • Marvin Gaye
  • Global Communication
  • Goldie
  • Harmonia
  • John Zorn
  • Kraftwerk
  • Fela Kuti
  • John Lennon
  • Metalheadz
  • Charles Mingus
  • Neu!
  • Omni Trio
  • Yoko Ono
  • Bob Ostertag
  • Otomo Yoshihide
  • Panda Bear
  • Harry Partch
  • People Like Us
  • Photek
  • Alex Reece
  • Lou Reed
  • Roni Size
  • Michael Rother
  • George Russell
  • Arthur Russell
  • Sahko
  • Savage Republic
  • Scanner
  • Gil Scott-Heron
  • So Solid Crew
  • Sonic Youth
  • Sun Ra/arkestra
  • Terre Thaemlitz
  • Leon Theremin
  • Tricky
  • Trim
  • Toshiya Tsunoda
  • Wiley
  • Iannis Xenakis
  • Neil Young
  • Frank Zappa

Contributors

  • Jennifer Allan
  • Matt Anker
  • Lindsay Barrett
  • Marcus Boon
  • Brian Case
  • Philip Clark
  • Byron Coley
  • Richard Cook
  • Jack Cooke
  • Julian Cowley
  • Alan Cummings
  • Phil England
  • Kodwo Eshun
  • Edward Fox
  • Phil Freeman
  • Jason Gross
  • Mike Hames
  • Andy Hamilton
  • Max Harrison
  • Richard Henderson
  • Tony Herrington
  • Ken Hollings
  • Simon Hopkins
  • David Ilic
  • David Keenan
  • Biba Kopf
  • Joel Lewis
  • Alan Licht
  • Eric Lumbleau
  • Howard Mandel
  • Mark Fell
  • Keith Moliné
  • Will Montgomery
  • Brian Morton
  • Joe Muggs
  • Alex Neilson
  • Andrew Nosnitsky
  • Ian Penman
  • Edwin Pouncey
  • Brian Priestley
  • Lee Ranaldo
  • Simon Reynolds
  • Robin Rimbaud
  • Bruce Russell
  • Peter Shapiro
  • Brian Shimkovitz
  • Mark Sinker
  • Joseph Stannard
  • Sue Steward
  • David Stubbs
  • David Toop
  • Dan Warburton
  • Barry Witherden
  • Rob Young
Issue+352+June+2013+Cover

Current Issue 352

June 2013

On The Cover: Babble On! – In a 20 page special, Wire contributors assess and rethink the relationship between underground music and words, text and language. Including Rob Young on songs about themselves, Ken Hollings on Cage’s pulverised language, Derek Walmsley on dread talk, Alasdair Roberts on verbal jousting, Daniel Spicer on hip semantics, David Toop on Improv words and gestures, Nina Power on female machine voices, Hua Hsu on vocalese, Marcus Boon on profane rappers, Rory Gibb on Footwork’s vocal science, and more.

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