Essay from Issue 103

David Toop: All Mix & No Master…?

April 2011

Does the new technology of mix 'n' splice mean the end of Popular Song as we know it? Or the start of a new open-ended dance afterlife? The death of the Original, or the birth of the infinite version? David Toop looks/locks into a brand new time lapse. This article originally appeared in The Wire 103 (September 1992). David Toop reflects on writing the essay below.

Essay

Xenakis Symposium Extras

March 2011

Iannis+Xenakis

A three-day conference, sponsored by The Wire and organised by the Centre for Contemporary Music Cultures at Goldsmiths, University of London on the Greek composer coinciding with the tenth anniversary of his death. Scholars, researchers and musicians will present papers and participate in panels, alongside a programme of concerts and workshops. London Southbank Centre, 1–3 April.

Essay from Issue 145

A-Z Of Electro

March 2011

George+Clinton

In its original incarnation, Electro was black science fiction teleported to the dancefloors of New York, Miami and LA; a super-stoopid fusion of video games, techno-pop, graffiti art, silver space suits and cyborg funk. Now that Electro is back, David Toop provides a thumbnail guide to the music that posed the eternal question: "Watupski, bug byte?" This article originally appeared in The Wire 145 (March 1996).

Essay from Issue 168

The Primer: Field Recordings

June 2008

Field+Recordings+illustration+by+Savage+Pencil

An occasional series in which we offer a beginner’s guide to the must-have recordings of some of our favourite musicians (and music). This month, Richard Henderson enters the preternatural realm of field recordings. This article originally appeared in The Wire 168 (February 1998).

Essay

Dub Drunk

Web only Epiphany by The Wire's intern Imogen Decordova