Essay from Issue 103

David Toop: All Mix & No Master…?

April 2011

Does the new technology of mix 'n' splice mean the end of Popular Song as we know it? Or the start of a new open-ended dance afterlife? The death of the Original, or the birth of the infinite version? David Toop looks/locks into a brand new time lapse. This article originally appeared in The Wire 103 (September 1992). David Toop reflects on writing the essay below.

Essay from Issue 145

A-Z Of Electro

March 2011

George+Clinton

In its original incarnation, Electro was black science fiction teleported to the dancefloors of New York, Miami and LA; a super-stoopid fusion of video games, techno-pop, graffiti art, silver space suits and cyborg funk. Now that Electro is back, David Toop provides a thumbnail guide to the music that posed the eternal question: "Watupski, bug byte?" This article originally appeared in The Wire 145 (March 1996).

Essay from Issue 128

Kitsch of Distinction

May 2007

The Incredibly Strange Music books are mondo archaeology for vinyl fetishists. They exhume a hidden world of plastic where exotic Easy Listening, modern primitives, suburban astronauts, Bavarian sex symbols and singing psychics co-exist in fabulous Living Stereo. David Toop provides a guide to the delights of incredibly strange records. This article originally appeared in The Wire 128 (October 1994).

Essay from Issue 123

A–Z Of Dub

March 2006

David Toop is your guide on our whistlestop tour through the echo chamber. This article was originally published in The Wire 123 (May 1994).