The combination of digital technology and the easy accessibility of samplers and computers have irrevocably changed the way sound is produced and perceived. As electronic music moves further away from the conventions of the club culture that spawned it to become a profound means of expression in its own right, a new breed of musician is emerging to forge new directions in Ambient and Techno with the parallel sciences of multimedia and electronic networking. Here we profile four such acts: Global Communication, The Black Dog, Bedouin Ascent and the Sähkö collective. This article originally appeared in The Wire 131 (January 1995).
In 1995, Electronica has become a nanotechnology, refrying the atoms of other musics into strange new hybrids. In the process, a lattice of invisible, interconnected networks has emerged to link disparate but like-minded musicians, labels and festivals. Rob Young maps the co-ordinates of the new urban music. This article originally appeared in The Wire 142 (December 1995).