The Chicago Underground musician and visual artist shares online glimpses of his research in preparation for a new audiovisual opera titled (The Book of Sound (Android Love Cry)
The Hamburg based DJ and musician shares her favourite links to tales and projects on the seen and the unseen, spectograms and unheard sounds.
Sound poet and lecturer Marc Matter, furniture designer and musician Stefan Schwander and artist Florian Meyer meet for a day at a time to record as The Durian Brothers. The trio, releasing on Fat Cat Records and featured in the July issue of The Wire, share an index of manifestos, neologisms and more.
The author of Japanoise: Music At The Edge Of Circulation and lecturer in the upcoming Music, Digitisation, Mediation conference in Oxford (11–13 July) shares his favourite online sound archives.
The New York based sound artist and experimental turntablist shares her favourite online resources on turntablism, sound and visual art.
The reissue label boss (featured in The Wire 352) introduces us to his selection of underfunded independent cultural institutions: "Bear in mind I rarely surf the net for anything beyond movie showing times. Still, I happen to know these organisations are worth keeping an eye out for."
Steven Warwick's quick stop tour of his favourite bits of reading, watching and listening online, taking in drone aircraft technology, hybridisation and queer actor and director Fred Halsted.
Follow Ashley Paul's top choice picks of the web. The US multi-instrumentalist was featured in The Wire 350, in an interview with Nick Southgate.
Little Annie Bandez spreads the word about her top websites. Annie is in The Wire 349 featured in an Invisible Jukebox, tested by Dave Mandl.
Jazz organist, improviser and interlocutor Alexander Hawkins takes us on a web journey through the work of Henry Threadgill and his Zooid group.
Alex Neilson, author of The Wire 349 Collateral Damage article on the connections between folk music and the future promised by digital culture, chooses five highlights from the newly digitised Topic label.
The Wire Salon in February – The Way Of The Hacker – brought together contemporary experimental musicians to discuss the practice of designing and building new audio interfaces. Here, two of the panelists, Tom Bugs and Sam Underwood spread online knowledge for hackers in training.
Swedish power jazz dynamo and vinyl-addict Mats Gustafsson shares his six essential links for the burgeoning "discaholic". Gustafsson is on the cover of The Wire 349 in an article by Daniel Spicer.
Ergo Phizmiz's choice links of the web. The rogue collagist and radio artist is featured in an interview with Clive Bell for The Wire issue 349.
A selection of sonic impressions from the former Soviet republic of Georgia and its capital Tbilisi, selected by Matthew Collin, author of a Global Ear report on the city’s electronic music in The Wire 348.
Follow Cara Tolmie's choice picks of the web. Tolmie is featured in an article by Louise Gray in The Wire 348.
Follow the sound artist’s choice picks of the web. Farmer is featured in an article by Daniela Cascella in The Wire 348.
Follow Kemper Norton's choice picks of the web. Norton is featured in Matthew Ingram's article on West Country electronic music makers in The Wire 346.
Follow Loki aka IX Tab aka Saxon's choice picks of the web. Loki is featured in Matthew Ingram's article on West Country electronic music makers in The Wire 346.
Follow the musician Holly Herndon's top links of the web. Herndon is the subject of an article by Jennifer Lucy Allan in The Wire 345, her album, Movement is released by RVNG Intl on 15 November. She'll also be performing at the Unsound festival in Krakow, Poland on 18 October.
Browse the improvising sax player's top picks of the web. John Butcher is the subject of The Wire 344's Invisible Jukebox, tested by Clive Bell.
Follow Ex-Easter Island Head's choice links of the web. The Liverpool based minimalist group is featured in an article by Abi Bliss in The Wire 343.
Follow film maker Peter Strickland's top choice of the web, including sites devoted to favourite Soviet bus stops, visual music and more. Strickland and his film Berberian Sound Studio are the subjects of an article by Daniel Spicer in The Wire 343.
Kirkley, author of The Wire 342 Global Ear article on the 'Balani Show' sound system street parties of Bamako (capital of Mali) presents a short run down on internet based ethnography, music collecting and micro genres.