A programme of short experimental sound art films is the latest component to be added to the bill of Off The Page, The Wire's literary festival for sound and music, which comes to Bristol's Arnolfini over the weekend of 26–28 September.
Titled The Bleeping Light: Explorative Sensoriums In Experimental Film & Video, the programme will screen in Arnolfini's Dark Studio throughout the Saturday and Sunday of the festival and will feature works by an array of contemporary film, video and sound artists, including Karel Doing, Spatial, Simon Payne, Sculpture, Lynn Loo, Sally Golding, Makino Takashi, Vicky Smith, Ben Gwilliam, Stephen Cornford, Botborg, Anja Dornieden & Juan Gonzales, Hangjun Lee & Chulki Hong, and Joel Stern & Pia Borg.
The Bleeping Light has been curated specially for Off The Page by Sally Golding, co-director of the OtherFilm artists collective, and a curator of the Unconscious Archives expanded cinema series, who says of the programme:
"The Bleeping Light features artists who delve into cracked phenomena and psychological perceptions, synaesthetic slippage and hacked technologies to produce works which inhabit a space between waveform and frame. Included are audiovisual works by sound artists who explore the role of a ‘seeing ear’, and sonic explorations by filmmakers who by the act of performance and intervention derive a sonorous space. Appropriated for single channel presentation many of these works exist in an environment which challenges the flat confines of the screen, and have their origins and inspirations in sound art and performance – this is cinema which speaks directly to the viewer’s synapses."
The full programme, which runs for 200 minutes, will be screened on continuous looped playback in Arnolfini's Dark Studio from 11am–11pm on Saturday 27 September and from 2–7pm on Sunday 28 September. Entrance is free to Off The Page ticket holders.
Below is the list of films that will be included in the programme:
Lynn Loo (UK)
Triple screen 16mm colour film & sonic output of photoresistors recorded to video; 10mins; 2009
Lynn Loo’s live film performance work is a shifting, subtly flickering meld of colour and form – translucent shifting light beams amplified by photoresistors and optical sound. In End Rolls, which has been transposed for the screen, raw colour film was partially exposed intermittently to different levels of light such as candle, stove, fire and room light. An idea partly derived from seeing the beginnings and endings of the effect of light leak on colour film – a soft, inappropriate licking of light revealing the photochemical medium usually reserved for the capture of representational images. Originally shown as three 16mm film projections with real time intervention via the use of focus and framing, and with live sound extracted from the light of the projectors using photo-resistors.
Hangjun Lee & Chulki Hong (KR)
35mm film & turntables transferred to video; 14mins; 2008
Expanded cinema artist Hangjun Lee and Balloon and Needle noise turntablist Chulki Hong create a brutal state of ruptured perceptions and frenzied cacophony. Though their work is intended as live celluloid and instrumentation interventions, the duo previously released the self published DVD Expanded Celluloid, Extended Phonograph, which shows some of their work transposed to a single channel presentation. Their work strips cinema back to it’s primal forces – projection beam, frames, colour, and reconfigures it into an abstract discharge which the sound, played live from an ensemble of turntables and effects, mirrors in it’s harsh intent. Nebula Rising uses decayed and handmade 35mm film in duo with a blasting noise track.
Stephen Cornford (UK)
16mm B&W double screen film projection & live sound recorded to video; 15mins; 2013
Stephen Cornford is a sound and media artist creating sonic performances and installations. The subject of this double 16mm projection is the mechanics and optics of the projector itself. Filmed during a Sound And Music funded residency at no.w.here film lab, the work searches for an optical form of feedback, closing the distance between camera and projector by pointing their lenses at one another. Through this self-reflexive relationship, the opto-mechanical apparatus of cinema becomes visible: the bulb, framed in the gate, is caused to flicker by the interaction of the two shutters. In performance the projector (re)produces its own image on the screen in front of us, the gaze of the audience is met only by the gaze of the machine looking back at them.
Karel Doing (NL/UK)
16mm double screen & sound presentation transferred to video; B&W; 20mins; 2013
Double screen 16mm film projections of five films constructed in the form of the palindrome; a sequence of elements which appear the same when perceived both forwards and backwards. The films are edited through a process both of chance as well as precise measurement of frames. Made with ostensibly useless materials; paper cut-outs, artificial hair, discarded negatives, old newspapers and found footage – by using cheap materials and 16mm technology – the films exist on the periphery as handmade, living objects. Originally intended for live 16mm film projection with the slippage of frame sync and live mixing of optical and pre-recorded sound.
Home coded software video performance as expanded documentation; 10mins; 2014
Primitives is a performance based opti-sonic installation from Spatial (Matt Spendlove) that uses custom made, home coded software to explore sonic and optical intensity articulated by simple geometric figures and extreme frequencies. Projected images drive a sensory assault, consumed by your eyes, then ears, and existing somewhere between perceptions. In sympathy with the material aspects of live audiovisual art, Spatial’s method of deformation and alteration of coded light brings a new realisation to the relationships between seeing sound and hearing colour. Hacked Light is a reconfiguration of Primitives – projected live using smoke and a convex mirror in 3D space and refilmed for the screen. Primitives is released on vinyl and DVD by the Broken20 label.
Simon Payne (UK)
Vice Versa Et Cetera
Single channel digital video; Colour; Stereo Sound; 10mins; 2010
Simon Payne’s works are an intense and dynamic exploration of colour mixing, phasing tone rows, and illusions of movement. In Vice Verse Et Cetera ten variations of four transitions transform the screen from one field of clashing complementary colours to another, via radiating, sweeping and twisting graphic dividing lines. The course of these transitions is interrupted from the offset and becomes increasingly frenetic, especially as the spectrum turns to black and white.
Biofeedback In Simulation
Synchronator sound and video feedback & intervention; 5mins; 2013
Part pulp, part hauntological ghost glitch - this is the documented results of Botborg's researches into the 'occult' science of Photosonicneurokineasthography (psnky): “Literally, psnky means ‘writing the movement of nerves through use of sound and light’ and was first developed by Dr Arkady Botborger (1923–81) in the mid 1960s.” Part of Botborg's work concerns the induction of new mental states by the means of repeated exposure to machine-aided synaesthetic media. An abstract exploration into a sound-colour world where glitches transform into rhythms and interruptions come to consume our focus. Whether you believe them or not, you will be hypnotised.
Joel Stern & Pia Borg (AU/UK)
Digital video; various LED lights; photosensitive synthesisers; 12mins; 2013
A document of energy forms in states of vibrating transmutation, this audiovisual composition uses LEDs, strobes and torches to create a mechanical ‘light-score'. Sound artist and composer Joel Stern orchestrates toy lights to sonic effect by bringing in close proximity light sensitive mini synthesisers and oscillators which wildly object and protest to the candescence emitted by this discount store detritus. Animator and filmmaker Pia Borg guides a video camera with a careful eye picking up the subtleties created through lens refraction and colour play, seeking a cosmic resolution to the chaos of light and sound. Stern, who is in an array of Australian groups, and Borg, who is an award winning short filmmaker, coalesce in a shared and intensified abstract moment.
Energetically Favourable Configurations
Analogue & digital tape loops, phenakistoscope animations discs; 10mins; Colour; 2014
The duo of electronic music producer Dan Hayhurst and animator Reuben Sutherland create a unique DIY aesthetic encompassing pop, cut 'n' spliced techno, noise, early electronics, the avant garde and Looney Tunes, mechanical and digital animation techniques, tape edits and computer programming, heart and head, past and future. Employing analogue quarter inch tape loops and phenakistoscope style animation discs via a turntable and a video camera feed, Sculpture conduct an audiovisual vortex which transcends both club and cinema.
Makino Takashi (JP)
16mm film & digital video - with polarising filter eyepatch; 30mins; 2012
Makino Takashi’s immersive live media experiences are a transcendence into ‘physical unconsciousness’. Hallucinatory and experiential, Makino creates abstract cinematic worlds immersing the viewer like a grain of emulsion free falling in the corporeality of image forming materials. 2012 is Makino’s first film in which he combines images and sounds made by himself - a departure from his high profile live collaborations with sound artists and musicians including Jim O’Rourke, Floris Vanhoof and Lawrence English. 2012 combines digital and celluloid film in a 3D experience complete with a pirate patch polarising filter distributed to each audience member. An immersive, cosmic and organic work transcending textures and time.
Ben Gwilliam (UK)
Hand rusted 16mm film, sound recorded through magnetic pickups; 11mins; 2014
Ben Gwilliam is an artist whose work spans sound, film, installation and performance. Oxide is the digital transfer of Super8 and 16mm films that have been subjected to rust growth pre- and post- photochemical processing, with subsequent magnetised rusting recorded to tape using various sizes of tape head. The version presented here is a single-screen, digital iteration of the film performance Oxide (ii)+(iii) which was developed during an embedded residency with Sound and Music and no.w.here, London, 2011. Beyond making Oxide (ii)+(iii), the moment of projection has passed from the live and temporary into the static and non-representative medium of DVD. Akin to compiling a live concert recording as a studio release, it inverts the process of self-mechanisation by no longer being a film work that follows the linear sequence of capture–develop–synchronise–project. Oxide is released on DVD by the Entr'acte label.
Vicky Smith (UK)
Noisy Licking, Dribbling And Spitting
Handmade & spat 16mm film & optical sound recorded to video; 3mins; 2014
Vicky Smith creates works which she describes as ‘Full Body Film’. "Smith uses bodily fluids such as spit and tears as the material basis for the film’s imagery, interspersed with animated scratches on the surface of the celluloid. Smith invites an almost clinical engagement with these internal fluids. Enlarged on the screen, they resemble scientific microscopic images that bring us into an uncanny physical proximity with the artist’s body. The choice of material support – clear leader rather than negative stock – bestows on the film an ethereal quality that elicits both fascination and discomfort." - Kim Knowles. The soundtrack is a hissing, 'licking’ of the optical soundtrack as the fluids cross over and are read by the sound head.
Anja Dornieden & Juan Gonzales (DE)
The Hand Eye (Bone Ghosts)
16mm B&W film screened on digital; Sound; 7mins; 2012
“A distinguished flea hypnotizes the ghost of a distinguished man” is the jumping off point for this terse Burroughs style gothic cut up. Part flicker film, part regression therapy tape, this experimental short film invites the viewer into an otherworldly vortex involving invocations of Freud and Mesmer in “a very special séance”. Since 2010 Dornieden and Gonzales have been working together under the moniker OJOBOCA. Together they practice Horrorism, a simulated method of inner and outer transformation. Their work encompasses films, performances, installations and workshops.
Sally Golding (UK/AU)
Ghost - Loud + Strong
16mm B&W hand processed film, contact printed optical sound from original flexi disc recording & vinyl sound effects, laboratory strobe, oscillator synth; 9.5mins; 2012
Sound recordings ripped from a flexi disc containing a dialogue about past life regression, and vinyl library sound effects, were reformatted as optical sound waveforms by recording into a 16mm sound camera, hand processing the film, and contact printing the resulting waveforms into a ‘darkroom composition’. Sounds surface and regress, male voices ‘authorise’ and female voices ‘characterise’, as an uncannily obscured field of light and dark unfolds on screen. The flickering film frames compel the viewer to hallucinate a non-existent visual subtext complemented by the alternating in/audibility. Indicated in the repetition of the sound sample, "To find a memory in the vastness of time…" Originally an expanded cinema performance with two 16mm film projectors, a laboratory strobe light and a rotating colour shutter, Ghost - Loud + Strong has also been released on vinyl by the Psyché Tropes label.
Along with announcing a show at London's Roundhouse next year, Swans's Michael Gira has also let it be known that Filth, the group's first album from 1983, will be remastered for a vinyl reissue. It will be available via Young God Records in the US, and on Mute everywhere else.
The Roundhouse show is scheduled for 15 May next year, and tickets are on sale here. Gira writes: "For me, this is a special show. Upon learning that both Pink Floyd and Soft Machine graced this stage, my intestines definitely broiled with a secret pleasure."
Crass founder Penny Rimbaud's autobiography, Shibboleth, is being republished by Existstencil Press. Shibboleth was originally published in 1998 by AK press, and this new edition comes with an afterword by Rimbaud. The new version is due to be published in paperback by Existstencil on 22 September. More details and pre-orders here.
Next in the string of anniversary celebrations is Alt.vinyl, which marks its 10th anniversary with a Cafe Oto show and three releases. The first is a collaboration between :zoviet*france: and the collective Fossil Aerosol Mining Project, pressed as a double LP in a folded steel sleeve. The second and third are releases from Rhodri Davies, in the form of a 4LP career overview titled Pedwar, which includes remastered versions of Trem, Over Shadows, Wound Response and new album An Air Swept Clean Of All Distance, the latter of which sees a standalone vinyl release in a hand printed sleeve with essay by David Toop.
:zoviet*france: and Davies also play Cafe Oto for the anniversary show on 30 October, along with Winter Family. More details here.
The Tapeworm celebrates its fifth birthday with a night at Cafe Oto tomorrow, with performances by CM von Hausswolff, Dale Cornish, Phil Julian and others. They wil also be marking the date with a collection of physical releases, including a DAT tape release by BJ Nilsen, produced in an edition of 25 copies, with hand drawn artwork by Savage Pencil.
Other birthday releases include two new cassettes, a Savage Pencil T-shirt, and two Bookworm books. The Tapeworm Bunch Of Fives night takes place at Cafe Oto on 16 September, and the first 50 guests receive a free tape. More details on all birthday releases here.
The full programme for this year's Huddersfield Contemporary Music Festival has been announced. Full schedule of performances and wokshops is available online here, and includes an afternoon of performances by Meredith Monk and Alvin Curran, plus Carlos Casas, Phil Minton, along with a number of performances of works by HCMF's composer in residence for 2014, James Dillon.
HCMF takes place across various venues in Huddersfield 21–30 November. More details, ticket links, and all timings and venues here.
The schedule for our Off The Page festival has just been confirmed, and here it is. A few tickets for the festival are still available, namely some weekend passes plus Saturday and Sunday tickets. Full details on the programme and how to book are here.
Unless otherwise stated, all events take place at Arnolfini, 16 Narrow Quay, Bristol BS1 4QA, 0117 917 2300.
Friday 26 September
Robert Wyatt in Conversation with Marcus O’Dair + audience Q&A
Saturday 27 September
Mark Fisher: Another Grey World: The Secret Sadness of the 21st Century + audience Q&A
Richard King with Pinch & Mike Darby: A Record Shop, Roots & Bristol Culture
David Keenan: Crime Calls for Night: A Phenomenology of Transgression in Industrial Music
Sarah Angliss: Visceral Music: The Corporeal Origins of Electronic Sound
Paul Gilroy in Conversation with Tony Herrington + audience Q&A
Carla Bozulich in Conversation with Frances Morgan + audience Q&A
Julian Henriques with David Fisher (Papa Roots Sound System): The Sound System Unplugged
Off The Page aftershow party with Rewired (NTS Radio) DJs + The Wire Sound System DJs at The Cube, Dove Street South, Bristol BS2 8JD, 0117 907 4190
Sunday 28 September
The Wire pub quiz hosted by Derek Walmlsey & Rob Young at The Louisiana, Wapping Road, Bathurst Terrace, Bristol BS1 6UA, 0117 926 5978
Film screening: A Spell To Ward Off The Darkness
Dean Blunt's "Black Metal": A Reading
Eric Isaacson: A Cosmic and Earthly History of Recorded Music According to Mississippi Records
Off The Page closing concert with Marisa Anderson + Lori Goldston + Dragging An Ox Through Water at The Cube, Dove Street South, Bristol BS2 8JD, 0117 907 4190
Following the last minute cancellation of a planned event in March this year – which prompted JME and Noisey to make this documentary – a new Just Jam night has been announced, taking place at London's Barbican this December.
Put together by promoters Tim & Barry, the next planned edition of Just Jam happens 13 December, and will include sets from Omar Souleyman, JME and Big Narstie with Preditah, Mumdance with Novelist, and Traxman with Litebulb. More details here.
Radio Lancashire's long running avant-garde music show On The Wire is turning 30. Originally broadcast on 16 September 1984, the programme will be marking its birthday with a trio of specially commissioned pieces from musicians born or based in Lancashire. Sam Shackleton has produced a new work called "Drones Over Lancashire", which consists of three improvised sessions edited together; Richard Skelton has recorded a new piece under a new moniker – The Inward Circles, a reference to 17th century polymath Thomas Browne; and Miles Whittaker has recorded a mix.
The show will be broadcast on BBC Radio Lancashire at midnight on Saturday 21 September, and will be archived online at On The Radio's site.
The Dream is a compilation featuring a selection of musicians from Poland, Norway and Iceland many of whom will be performing at the 2014 editions of the Unsound (Krakow), Insomnia (Tromso) and Iceland Airwaves (Reykjavik) festivals as part of the Luminous Bodies project.
Musicians contributing tracks to the CD include Hildur Gudnadottir with Skuli Sverrisson; Księżyc; Stine Janvin Motland with The Receptacles; Jenny Hval & Susanna; Robert Piernikowski; Ben Frost with Shahzad Ismaily and Greg Fox; TCF; We Will Fail; Natalia Martinez Ordonez; Kucharczyk; Eltron John; Le Petit Garcon; and Aabzu.
Excerpts from two special projects have also been included on the compilation, one from Double Vision, a collaboration between Atom™ & Robin Fox, and a section from Jed Kurzel’s soundtrack to the 2011 Australian film Snowtown. Both projects have been developed in collaboration with Unsound and the Adelaide Festival.
The Dream is compiled by Unsound’s artistic director Mat Schulz, and is coproduced by Unsound, Insomnia and Iceland Airwaves in co-operation with The Wire.
All subscribers to the print magazine will receive the compilation as both a CD and download, while subscribers to the digital edition will receive the download. Anyone taking out a print subscription to The Wire this month will also be sent a copy of the CD and download, while new digital subscribers will receive the download. More details here. Subscribe here.