The Wire’s monthly series of salon events continues with an evening dedicated to unlocking the mysteries of graphic scores and other revolutionary approaches to musical notation. A panel made up of The Wire’s Philip Clark, composer Claudia Molitor and pianist Ian Pace will discuss how graphic scores can be used to access entire new dimensions in sound. The night will also feature screenings of Claudia Molitor’s 3D graphic scores (3D glasses will be provided), and a special audience participation graphic scores Invisible Jukebox session. London Cafe Oto, 3 June, 8pm, £4.
Check out some online content in anticipation of the evening:
• A DIY flicker book of a moving score for cello, "It Suddenly Descends", part of Claudia Molitor's work in progress Flicker Book Magnum Opus (for all cellists out there to download, print off, put together and perform themselves).
Below is a 3D video by Brian McClave and Gavin Peacock for Claudia Molitor's work "It's Not Quite How I Remember It" (to see it in 3D you'll need the proper red/green glasses). It's a lo-res YouTube version but people who are able to make it the salon will get to see it in full resolution with 3D glasses provided.
Tags: Barry Guy | cafe oto | Claudia Molitor | Earle Brown | Frank Perry | Graphic Scores | Heinz-Klaus Metzger | Ian Pace | Karl Peter Röhl | Morton Feldman | Music discussion | Notations 21 | philip clark | The Wire | the wire salon | Theresa Sauer