The Wire’s monthly series of salon events returns after an extended Christmas and New Year break with an illustrated talk by the magazine’s former hiphop columnist Dave Tompkins on the history of the vocoder. The talk will be based on Dave's acclaimed recent book on synthetic voice phenomena, How To Wreck A Nice Beach (available from Stop Smiling Books)
In anticipation of the salon Dave and Monk One have made an exclusive edit of their How To Wreck A Nice Beach mix for The Wire. You can download it here. Also, click here to read Dave's extensive annotated track list for the mix in all its unexpurgated glory.
The Wire Salon: How To Wreck A Nice Beach: The Vocoder From World War Two To Hiphop takes place at London's Cafe Oto, 15 February, 8pm, £4.
In addition to his appearance at the salon, Dave will also be talking on (as opposed to through) the vocoder at the Off The Page festival in Whitstable this weekend...
At the turn of the century sound art reached a new level of visibility with a cluster of high-profile shows and countless below-the-radar initiatives. Meanwhile, new thinking about sound has led to an extraordinary proliferation of practices, and in recent years a phalanx of sound recordists and sonic artists has emerged to stage a revolutionary coup on behalf of sound, demanding its right to exist both in and of itself, free of the competing agendas of music or the visual arts.
The emergence of this new world of audio was accelerated by the dual technologies of microphony and digital processing, and can be heard in the examples of acoustic ecology and anthropology; desktop synthesis; the form-destroying praxes of Noise makers; Reductionism's amplification of previously occult sound events; frequency experiments with waveforms and pure tones; and more.
A cluster of recent books on this area has showcased the range of thinking behind the new sound art. For some, this work calls for a renewed focus on the perceiving body; for others, sound art offers new perspectives on the circulation of cultural meanings; for others still, sound has removed itself from the realm of the human to occupy a world where we simply don't figure.
For this edition of The Wire Salon, artist/writer Salomé Voegelin, author of Listening To Noise And Silence (Continuum), Helen Frosi, curator of the Soundfjord gallery, and critic/sound artist Will Montgomery discuss the new philosophies and practices that have emerged in recent years to map and calibrate the new world that has been revealed by 21st century sound art.
The Wire Salon: We Hear A New World: Microphony, Technology & The Rise Of Sound Art takes place at London's Café Oto, 2 September, 8pm, £4 Ticket on the door only.
Plus: take part in an audience-participation sound art quiz and have your perception of the audio world around you reshaped!
In anticipation of the night, we've put together the following reading list with links to online MP3s, videos and texts:
• Anne Hilde Neset hosts an edition of The Wire's Adventures In Modern Music on Resonance FM. Anne was joined by Dont Rhine and Robert Sember, members of the international activist/art/music collective Ultra-red.
• Recordings of Futurist composer Luigi Russolo's compositions using his noise making Intonarumori instruments (page also contains a downloadable PDF of Russolo's The Art Of Noises manifesto from 1913)
• A selection of video work by Brandon LaBelle: Concert #2: working with participants to stage the tension between sight and sound; Perspectives: writing and listening action in public space; Z: writing action utilizing motion-tracking to generate sound in real-time.
sound art links (via Seth Cluett)
The Wire Salon is a monthly series of salon events, hosted by The Wire magazine, and dedicated to the fine art and practice of thinking and talking about music. The evenings, which take place on the first Thursday of each month, will consist of readings, talks, panel discussions, film screenings, DJ sets and even the occasional live performance.
Our monthly salon series continues with a talk by The Wire’s Editor-at-Large Rob Young based on his history of folk, folk rock, psychedelia and the British imagination, Electric Eden: Unearthing Britain’s Visionary Music (published by Faber And Faber, 5 August 2010.). The talk will be illustrated with film and audio clips and will be followed by a discussion of the book’s central themes; plus DJ Jonny Trunk will be in attendance spinning the sounds of wyrd and wired Britain. London Café Oto, 5 August, 8pm, £4.
• Read: The Incredible String Band and The Hangman's Beautiful Daughter. Extract from Electric Eden: Unearthing Britain's Visionary Music by Rob Young
• Read: Into The Woods. "Across folk, classical, pop and exploratory music, the sense of exile from Eden is key to the progress of British music in the twentieth century, writes Rob Young." Article for The Journal Of Music.
• Listen: Exotic Pylon podcast. Featuring conversation between Rob Young and host Jonny Mugwump. The show lasts 90 minutes and includes a selection of music from Talk Talk, Peter Bellamy, Steeleye Span, John Ireland, Dave Cousins, Archie Fisher, Mandy Morton & Spriguns, Robin Williamson and Alasdair Roberts.
The Wire’s monthly series of salon events continues with an evening dedicated to unlocking the mysteries of graphic scores and other revolutionary approaches to musical notation. A panel made up of The Wire’s Philip Clark, composer Claudia Molitor and pianist Ian Pace will discuss how graphic scores can be used to access entire new dimensions in sound. The night will also feature screenings of Claudia Molitor’s 3D graphic scores (3D glasses will be provided), and a special audience participation graphic scores Invisible Jukebox session. London Cafe Oto, 3 June, 8pm, £4.
Check out some online content in anticipation of the evening:
• A DIY flicker book of a moving score for cello, "It Suddenly Descends", part of Claudia Molitor's work in progress Flicker Book Magnum Opus (for all cellists out there to download, print off, put together and perform themselves).
Below is a 3D video by Brian McClave and Gavin Peacock for Claudia Molitor's work "It's Not Quite How I Remember It" (to see it in 3D you'll need the proper red/green glasses). It's a lo-res YouTube version but people who are able to make it the salon will get to see it in full resolution with 3D glasses provided.
Tags: Barry Guy | cafe oto | Claudia Molitor | Earle Brown | Frank Perry | Graphic Scores | Heinz-Klaus Metzger | Ian Pace | Karl Peter Röhl | Morton Feldman | Music discussion | Notations 21 | philip clark | The Wire | the wire salon | Theresa Sauer
The folks at Soul Jazz Records have organised a night at Cafe Oto to celebrate the life and work of the late drummer Steve Reid, who over the course of his long career worked with a wide array of artists including Miles Davis, Ornette Coleman, James Brown, Fela Kuti and Sun Ra . Details on the flyer below.
After being grounded in London by an erupting volcano in Iceland, the Marshall Allen-led Sun Ra Arkestra, added two extra evenings to their residency at Café Oto, both of which sold out in hours. Now, news from the BBC Radio 3 twitter feed tells us that they're continuing to make the most of their London, Earth-bound hours by heading in to the Jazz On 3 studios to record a special "Volcanic Session" for the show...
A new series of monthly events in East London curated by The Wire Magazine. The evenings will consist of readings, talks, panel debates, film screenings, DJ sets and live performances. The first instalment is Revenant Forms: The Meaning Of Hauntology at London's Café Oto, 1 April, 8pm, £4 on the door only
Mark Fisher (K-Punk) leads a panel with Adam Harper and Joseph Stannard debating the uncanny quality of so much contemporary audio, from spektral disco to dubstep, Hypnagogic pop and beyond. Plus screenings of films by Julian House (Ghost Box, The Focus Group), a live set by Moon Wiring Club and eldritch vinyl interludes courtesy of Mordant Music.
Below we've compiled a short online reading and listening list in anticipation of the event:
Ian Penman's Black Secret Tricknology, first published in The Wire issue 133
A transcript excerpt from Joseph Stannard's interview with Broadcast, which formed part of Stannard's cover feature on the group in The Wire issue 308
Adam Harper's Rouge's Foam blog
•Hauntology: The Past Inside The Present
Joseph Stannard's The Outer Church
•Revenant Forms: Future-Past Preview
Website of the label and design project Ghost Box
Jim Jupp's Belbury Parish Magazine
Mordant Music home to Baron Mordant, Admiral Greyscale, Sam Shackleton and more
James Kirby's (aka The Caretaker) History Always Favours The Winners
Listen to some tracks from Moon Wiring Club
Broadcast and The Focus Group "I See, So I See So"
Phenomena And Occurrences, a Ghost Box film by Julian House.
Tags: Adam Harper | Blogroll | cafe oto | Ghost Box | hauntology | Joseph Stannard | K-Punk | mark fisher | mordant music | Rogue\'s Foam | the outer church | The Wire | The Wire Magazine | Uncategorized
Readers of The Wire can get a
special ticket offer from London's Cafe Oto for their forthcoming
two day residency with Otomo Yoshihide and friends, 4 - 5 February.
FEN, or Far East Network, is a collaboration between Otomo Yoshihide, Yan Jun, Yuen Chee Wai and Ryu Hankil; well known figures in the experimental music scenes of their respective home cities Tokyo, Beijing, Singapore and Seoul. This will be their first UK performance together.
Regularly, tickets are £10 in advance and £12 on the door with a £18 two day pass also available. Readers of The Wire get a special price of £8 per night.
To buy tickets click on the below links:
Day one, 4 February, 8pm
Day two, 5 February, 8pm
Check out Cafe Oto's website for more information on FEN and the artists.