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Showing posts from 2009|03

Cath & Phil Tyler's Lovely Molly

Nathan Budzinski


A great part of Cath & Phil Tyler gig at Dalston's Café Oto a couple Friday's ago (20 March) was hearing their version of the trad tune "Courting Is A Pleasure" one of my favourite recordings by the guitarist/vocalist/fiddler Nic Jones - a tune from his excellent Penguin Eggs album. Jones's recording is a great example of his impressive guitar skills, with its faultless and quick, almost harsh rhythmic picking complementing and intertwining with his vocals creating an uncomfortable and driving effect.
The Tyler's version on the other hand, broke the song down into slowly shifting fragments and a sleepy pace, a great version that translated the song into a kind of lullaby (well, compared to Jones's version...) Either way, the Tyler's show was a great gig, different from the studio recordings I've heard (Dumb Supper) which were far more dry, droning and harsh, than the rounded folkiness I heard on Friday.

There's other arrangements of the song out there... One by the Watersons called "Meeting Is A Pleasure" and another version that goes by the name "Loving Hannah" and another whose title is also the refrain of the tune, "Lovely Molly"... I'm pretty sure Cath said that she first heard a version of it on a fund raising compilation released by the New Jersey free form radio station WFMU... I tried to find out which CD she was talking about but to no avail...

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Adventures In Modern Music 26 March 09

Derek Walmsley

Chris Bohn's Adventures In Modern Music show on Resonance FM last night included a mix from Ekkehard Ehlers, with scratchy vinyl delights from Alice Coltrane, Caetano Veloso and more. Other good stuff from the show included The Threshold Houseboys Choir, Trembling Bells and Super Vacations.

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Nadja + Capillary Action

Last night at Bardens Boudoir, Capillary Action and Nadja played like each other's inverse reflection. Capillary Action offered the spectacle of virtuosity, with technical mastery of their instruments and a sophisticated understanding of melody and harmony. But their immaculate rehearsal-room constructions – imagine Prokofiev re-arranging Red Krayola – left nothing to chance, and as a result felt somewhat empty emotionally. Everything was so controlled it failed to engage.

Nadja on the other hand offered no such spectacle. Just two folk onstage playing their bass and guitar very very slowly, occasionally tweaking the knobs on their FX units and murmuring lackadaisically into their mics. But their (vaguely adolescent) brand of shoegazing miserabilism possessed the emotional richness that eluded Capillary Action. Best enjoyed with eyes closed, their vast, fuzzy drones and delicate fragments of melody enraptured the crowd, who stood there pale-faced and solemnly nodding, dreaming of forests. A victory of heart over head.

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wire mire linkage 18/03/2009

Nathan Budzinski

http://current.com/e/89891932/en_US

>>>>>UR on TV (well, internet TV...)*******

Go To: Cath & Phil Tyler come south to visit Dalston this Friday

Go To: Matt Stokes: The Gainsborough Packet and Club Ponderosa, Victory Over The Sun ... Zaum is coming soon!

"On The Idea Of Communism" at Birckbeck via YouTube......why not.

Eduardo Kac (animated) concrete poetry on UbuWeb

The Art of the Overhead [Projector] Festival 2009...

Johan "Dial H-I-S-T-O-R-Y" Grimonprez & Tom "Tintin" McCarthy's film on Alfred Hitchock...

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William Furlong

Nathan Budzinski


A short (and shaky) doc of William Furlong’s installation Possibility & Impossibility Of Fixing Meaning at Laure Genillard, 2 Hanway Place, London until 9 April.

The sound is fairly indistinct and messy until one gets closer to the roughly canvas-sized frames where the directional aspect of the voices can be properly heard. It’s impossible to find any kind of proper narrative or conversation going on inside the chattering hubub of voices mainly constituted by short phrases of conversational hiccups, uhms and half finished sentences. As a whole, the space sonically resembles a sleepy pub or some other public meeting space and the closer one listens, the more hypnotising and numbing the effect becomes.

Furlong (who is the man behind Audio Arts Magazine cassette series, which from 1973 has collected interviews from a broad range of contemporary artists) culled the voices used for the compositions from his no doubt extensive archive, and so the impression one gets when listening to the vocal snippets intermingle is as if Furlong took all the stuttering and stammering from the years of collected recordings and amped it up rather than cuting them out as with radio/tv audio editing.

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Adventures In Modern Music 5 March 09

Derek Walmsley

Judging by the arcane, scrawled notes I've got in front of me from Chris Bohn's Adventures In Modern Music show on Resonance FM last night, his head is stuck out in the East, as per usual – there were tracks from the recent release from the late Fushitsusha bassist Yasushi Ozawa entitled Some Fragments Of Bass Performance, plus a new duo of Keiji Haino and Masataka Fujikake. There's also yet Korean stuff after his recent Resonance FM show: Kim Changwan Band are veteran garage rockers with roots in the group San Ul Lim. However, Chris's heart resides in the Midlands, judging by a cover of Slade's "Gudbuy T'Jane" by Condo Fucks (the alter-ego of Yo La Tengo). There's also stuff from Dziga Vertov's early experimental Soviet film soundtracks and Henry Cow. You can download here.

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sampledelia and reggaeton cut-ups

Derek Walmsley

Interesting, flashback inducing, idea-gestating piece by Simon Reynolds on sample epiphanies.

My most recent sample epiphany was finally finding something which, cut-up wise, finally measures up to classic period 'ardkore for sheer dirty, use and abuse sample genius. Wayne Marshall indirectly pointed me in their direction, by bigging them up in a forthcoming Duke University book about reggeaton.

These reggaeton mixes by DJ Playero are the missing link between DJ Muggs and DJ Crystl:

DJ Playero 37 (Side A)
DJ Playero 37 (Side B)
DJ Playero 38

Postscript: it seems Wayne Marshall has handily just put a mix up on his site of versions of the Dem Bow rhythm, the foundational track of all reggaeton. Not since the Amen break has one track (originally by Shabba Ranks) been so responsible for so much music...

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Master class

Derek Walmsley

The long-promised interview by Robert Henke of Monolake with Rashad Becker, the mastering engineer at Dubplates & Mastering in Berlin, is finally online. Becker's name is ubiquitous from run-out grooves and mastering credits, but as far as I know this is the first lengthy interview he's done.

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