The music of Harappian Night Recordings sounds like a collage of field-recordings by a varied cast of inhabitants from the non-industrialised parts of the world. The music and sounds however are created entirely in the North of England by one man, Dr Syed Kamran Ali. Ali has such an instinctive feel for putting seemingly incongruous sounds together, and such audacious irreverence in utilising any instrument or object from around the globe he can lay his hands on, that what he creates is unique. The real miracle however is that his attention-defecit scatter-gun one-take approach so often works. The music describes an anarchic buzz of ideas constantly usurping each other. Duelling ouds, whirling mizmars, screeching jouhikkos, tapping finger harps, rumbling monosynths, groaning harmoniums, a fist full of khene, talking gamelan lila derdeba popping giving a bent backed Dante's ring hell or like an Egyptian civilian army shitting on Eden's skull, or a Cuban guerilla force stepping on Eisenhower's throat emptying their glorious bladders on his face. And you can dance to it, Tuareg style.

Harappian Night Recordings on MySpace
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