Marina Rosenfeld excerpted "'I love you man'" for Below The Radar from a work in progress, loosely titled Spokesmodel, for electronic sounds and vocals, that made appearances in autumn 2009 in spaces as diverse as Catalonia’s MAPA festival, the T.I.T.O. turntablist gathering in Berlin, and in a chicken-coop-turned-Kunsthall in rural New York State, in an exhibition titled GuineaKunstraum, where she housed the audio in a pair of homemade loudspeakers, calling the work “Near Speakers (with Spokesmodel excerpt)”.

Marina Rosenfeld is a composer and artist based in New York. Her work has been widely commissioned by institutions in Europe and North America, including the Whitney Museum (Whitney Biennials 2002 and 2008), Stedelijk Museum, Tate Modern, The Kitchen, Creative Time, Artists Space and the Contemporary Jewish Museum San Francisco; and festivals including the Holland Festival, Donaueschingen, Ars Electronica, Wien Modern, Musikprotokoll, Pro Musica Nova, Maerz Musik and Mutek, among many others. She has created scores for the Merce Cunningham and Douglas Dunn dance companies and has collaborated with artists including Christian Marclay, Ikue Mori, Lee Ranaldo, DJ Olive, Anthony Coleman and George Lewis, with whom she will release a duo recording, Sour Mash, on Innova in 2010. Rosenfeld also has a new solo recording, Plastic Materials, on Australian label Room 40. Rosenfeld is also currently Artist in Residence at the Park Avenue Armory in New York, where a new sound installation, PA, was presented in November 2009, as part of the Performa Biennial.

Marina Rosenfeld
Park Avenue Armory
Room 40