Listen: exclusive STEIM recordings
February 2013

Michel Waisvisz, STEIM director 1981–2008
Listen to a selection of recordings made at Amsterdam's STudio for Electro-Instrumental Music, compiled and annotated by STEIM's most recent director, Takuro Mizuta Lippit aka dj sniff. STEIM's 40-plus years of activities are the subject of a feature by Will Montgomery in The Wire 348.
DJ Sniff and Keir Neuringer - 2010 | 0:10:00 |
Jaap Blonk and Tomomi Adachi - 2009 | 0:05:39 |
Jerome Noetinger and Lionel Marchetti - 2007 | 0:07:01 |
Joel Ryan, Tom Blancartet and PeterEvans - 2007 | 0:09:34 |
Laetitia Sonami - 2008 | 0:11:27 |
Martin Brandlmayer - 2009 | 0:10:44 |
Michel Waisvisz in Toronto - 1978 | 0:05:53 |
dj sniff & Keir Neuringer, 2009
Recorded in STEIM's Studio 1 by dj sniff and Keir
Neuringer in 2009. Myself and Keir Neuringer both lived in the
Netherlands during a significant moment in our careers, trying to
establish our musical direction. One of the common themes that we
were dealing with was how to reference our musical influences
within our own music. We had both worked for years to develop a
distinct style on our instruments (Neuringer on sax and me on
turntables). But for this particular session we tried to sound like
our favorite records – we wanted to embody and reflect on our
musical history in a more direct way.
Jaap Blonk & Tomomi Adachi, 2009
Jaap Blonk and Tomomi Adachi voice duo recorded at
STEIM's concert series in 2009 celebrating the institution's 40th
anniversary. The night opened with each performing a solo set,
which included their usual repertoire of electro acoustic
compositions and readings of classic sound poetry. However, as they
stepped on stage for their duo, they immediately delved into 20
minutes of pure voice ecstaticism.
Jérôme Noetinger & Lionel Marchetti, 2007
Revox reel-to-reel tape recorder duo by Jérôme
Noetinger and Lionel Marchetti recorded at STEIM's concert series
in 2007. This was a mind blowing concert for me where I saw
real-time sampling – a main staple at STEIM since the invention of
their live sampling software LiSa, done on analog machines. The
musicians skillfully played the ancient Revox altering pre-recorded
sounds and adding new sounds to the same tape. The physical
presence of both the performers and the sounds has had a lasting
impact on me.
Joel Ryan & Sparks (Tom Blancartet and Peter Evans),
2008
Joel Ryan with Sparks (Tom Blancartet and trumpeter
Peter Evans) recorded live at concert in STEIM's Studio 3, 2008.
Peter and Joel had met through working in Evan Parker's Electro
Acoustic Ensemble. I remember at the time Joel coming into my
office saying "There is this amazing trumpet player touring Europe
that we can't miss the opportunity to bring in!" So we invited
Peter and Tom for a residency to work with Joel in the studio for a
couple of days and hosted a concert at the end of their stay.
Laetitia Sonami, 2008
Laetitia Sonami live at STEIM Studio, 2008. STEIM's
long-time friend Laetitia Sonami flew in from Oakland, California
to play in a concert we organised to rally against the Dutch
government's intention to cut STEIM's funding. She also came to
visit see STEIM artistic director Michel Waisvisz who was extremely
ill at that time. Sonami played a pure electronic set with her
Lady's Glove, a gestural controller/instrument made at STEIM in the
late 90s. Akira Sakata, Tarek Atoui, Raed Yassin among others
played that night as well. The concert space that usually seats 70
people was packed with more than 150 people, and the whole building
was filled with a wonderful feeling of warmth and support. Waisvisz
passed away that same evening.
Martin Brandlmayr, 2009
Martin Brandlmayr solo recorded live at STEIM's
monthly concert series celebrating the institution's 40th
anniversary. I was very familiar with Brandlmayr through his work
with Radian, Trapist, and collaborations with Otomo Yoshihide, but
had never heard him play solo. I proposed the idea to him, and he
told me that it was a direction that he wanted to pursue further.
His set combined multiple percussion instruments with tape,
executed with extreme precision. It was a perfect act to close our
12 month celebratory concert series.
Michel Waisvisz live in Toronto, 1978
Taken from Michel Waisvisz’s cassette tape archive.
Although Waisvisz performed vigorously throughout his life, very
little of his live performances have been published. This recording
is from his first North American tour in late 1978 which followed a
residency at EMS studios in Stockholm. The EMS sessions were
released as CRACKLE on FMP in 1979, but in this recording
we get to hear another side of his work from that period, which
combined sound poetry-esque vocal techniques with analog synth
sounds. He abandoned both of these styles in his later career.