While this is definitely a list of some of my favourite basslines, they’re all a certain type: basslines that stand out as part or even all of the song’s melody. This obviously isn’t always required, but it makes for the kind of bassline to get the blood pumping, which is something I always strive for with my own lines.

David Essex “Rock On” (1973)
Bass played by Herbie Flowers

The first of two appearances by Herbie here (don’t worry, the other one isn’t “Grandad” by Clive Dunn!), this is one of the great early 1970s singles and a clear influence on Prince's Sign O' The Times. While it drives everything, the bassline also seems to exist outside of the timing of the song. It’s crying out to be ripped off, and it’s entirely possible I already have.

Frankie Valli & The Four Seasons “The Night” (1972)
Bass played by Joseph Louis LaBracio aka Joe Long

A line so good it had to start the song. Rumour has it Joe only started playing pop bass when a hand injury stopped him playing classical. If this is what he was like with a knackered hand, God knows what he was like before.

The Clash “The Magnificent Seven” (1980)
Bass played by Norman Watt-Roy

The Clash recorded this with The Blockheads’ bassist, who criminally didn’t get a credit, because Paul Simonon was away filming Ladies And Gentleman, The Fabulous Stains. While it might not be much of a movie, the fact that it allowed this bassline to be unleashed on the world makes it a valuable contribution to the world of art.

Lou Reed “Walk On The Wild Side” (1972)
Bass played by Herbie Flowers

Bit obvious, but no less worthy for that. Two basslines: one electric, one standup. One going up, one going down. Both perfect.

The Fall “Last Orders” (1978)
Bass played by Tony Friel

Only ever released on a live album, Short Circuit: Live At The Electric Circus. Even the sound of him tuning up at the beginning is great, as is the sound of the bass rattling Karl Burns’s snare when Tony starts the song. Add to that the swooping slides he throws in at regular intervals, and you’re left with something rather thrilling. Set the template for all of us who were to follow.

The Temptations “Ball Of Confusion” (1970)
Bass played by Bob Babbitt

Appropriately enough there’s some confusion about this, as it often gets credited to James Jamerson. But producer Norman Whitfield wisely thought Bob Babitt was more likely to stick to the script. I love this bassline so much I’ve insisted on doing a cover version on more than one occasion.

Talking Head “Psycho Killer” (1977)
Bass played by Tina Weymouth

As steady as a metronome, the bassline is what makes the whole song make sense. And Tina Weymouth’s ability to lock in with Chris Franz highlights the advantages of having a family-based rhythm section and what they can bring to the party. The Ashetons; Tony and Hunt Sales; Brian and Dennis Wilson. I’m sure there must be more!