Portal to Georgian sounds
February 2013

Natalie TBA Beridze, one of Tbilisi's 'electronauts'
A selection of sonic impressions from the former Soviet republic of Georgia and its capital Tbilisi, selected by Matthew Collin, author of a Global Ear report on the city’s electronic music in The Wire 348.
Guria’s
freeform yodelling
Georgian traditional music boasts many complex and atonal
polyphonic harmonies, but there are none so strange as the sound of
the bucolic Guria region, one of the former Soviet Union’s major
tea growing areas. Krimanchuli is a kind of abstract but
immaculately coordinated yodelling that some local musicologists
have described as "ancient free jazz".
Hamlet
Gonashvili’s haunted chords
Gonashvili (1928–1985) was one of Georgia’s greatest male voices of
the 20th Century. "Orovelo" could be his finest moment –
a haunting lament laid out over a deep vocal drone that shakes the
soul.
Giya
Kancheli’s spiritual symphonies
Kancheli is Georgia’s most famous living classical composer,
although he has lived in Belgium since the early 1990s, when his
homeland was twisted by civil war and separatist conflicts after
independence from the Soviet Union. Kancheli’s work is usually
deeply spiritual but often tinged with grief – but he also provided
the film soundtrack for Giorgi Danelia’s absurdist comedy classic
from 1986, Kin-Dza-Dza!
Spring
Rhythms’ progressive freakout
The first officially sanctioned rock festival in the Soviet Union
was held in 1980 in Tbilisi, which was (and still is) far more
politically liberal than Moscow. Spring Rhythms was actually more
of a song contest than a party, and most of the recorded entries
haven’t stood the test of time, but twisted prog/fusion rockers
Gunesh from Turkmenistan were on the bill, so it must have been
some kind of fun.
Robi Planet’s
punk power
As in most former Soviet republics, punk came somewhat late to
Georgia but Robi Kukhianidze (aka Robi Planet), was a crucial
player in the 1980s. Hailing from Georgia’s second largest city
Kutaisi, the music that Kukhianidze now plays with his group
Outsider is charged with dramatic power and pathos, somewhere
between Gogol Bordello, the Sex Pistols and a Weimar cabaret
ensemble, but retaining a naturally anarchic Caucasus spirit.
The
Electronauts’ pioneer spirit
Electronic music, paradoxically, started to develop in Georgia in
the 1990s when there were chronic electricity cuts caused by the
economic chaos and corruption that dogged the decade. Sergi
Gvarjaladze’s film Electronauts documents the scene’s
origins and features key instigators like Natalie TBA Beridze and
Nika Machaidze (aka Nikakoi).
Mikheil
Saakashvili’s pop propaganda
Flamboyant Georgian president "Misha" Saakashvili liked to use pop
music as a political tool and his government commissioned various
anthems to promote patriotic fervor. He even once booked Boney M
for a bizarre propaganda gig in a frontline village. "Misha
Magaria" ("Misha Is Cool") was his 2008 election campaign song,
with a video that features a cast of hundreds dancing through a
provincial town in one long tracking shot that encapsulates his
idiosyncratic concept of state-building.
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