We have a high threshold for sonic extremity
at The Wire. At the time of writing, someone behind me is blasting
out a Puerto Rican noise group from their computer. At times in the
last year or so we have - or at least I have – enjoyed field recordings of
creaking bridges in Thailand , longform
improvisastions for motorised vibraphones , or recordings
of a ventilation propellers . Such strange sonic matter is
warmly rendered through our appealingly battered old NAD amp, wired
up through some arcane scheme to floorstanding speakers scattered
around far-flung corners of our open office. It's rarely less than
a pleasure and a privileged to sample such intense music in this
environment.
Sometimes, though, someone will be in middle of a phone call when
the latest missive from the Michigan noise scene hits the CD deck,
or be distracted from an intricate bit of last minute proofing by a
200 word-a-minute Grime MC....
Still suffering pangs of remorse over the
death of Karlheinz Stockhausen earlier in the year? He's certainly
still in our hearts here – we even have a framed picture of him in
the office, which we keep in a special place where we contemplate
his ideas and legacy. So, inspired by the works of the man himself,
we're hosting a free, special, multi-media happening
at the Southbank tomorrow. Think we're joking? This is Stockhausen
– we are, of course, deadly serious. Art collectives are being
mobilised. Concepts are being discussed in high-level meetings. Way
out sounds will be dropped. In fact all the events will build on
the ideas of Stockhausen, and it promises to be a great night:
The Wire presents The Scope
A free, late-night event as part of Klang (see UK Festivals)
programmed by The Wire with performance by a crew of laptop
technicians led by John Wall plus an Improv session with Pat
Thomas,...