We're running a competition to win tickets
for this week's screening in London of Sunny's Time
Now , a new documentary about the influential drummer Sunny
Murray, with a Q&A; afterwards with saxophonist Tony Bevan and
Tony Herrington from The Wire . Here's the details:
Win a pair of tickets to the London ICA Screening!
The Wire presents: Sunny's Time Now + Q&A;
London ICA, Cinema 1
18 April 2009 8:15pm
£8/£7 Concessions/£6 ICA Members.
"Bang! Let's go on. Like Louis Pasteur. They ain't fucked with the
milk since then, except maybe diluted it a little bit." Sunny
Murray
Sunny's Time Now retraces the rough-and-tumble life and career of
influential free jazz drummer Sunny Murray. Directed by Luxembourg
film maker Antoine Prum, this documentary includes interviews with
key witnesses (including Cecil Taylor, Val Wilmer, Robert Wyatt,
William Parker, Grachan Moncur III) and exclusive concert footage
of Murray in performance with the likes of...
A great part of Cath & Phil
Tyler gig at Dalston's Café
Oto a couple Friday's ago (20 March) was hearing their version
of the trad tune "Courting Is A Pleasure" one of my favourite
recordings by the guitarist/vocalist/fiddler Nic Jones - a tune from his
excellent
Penguin Eggs album. Jones's recording is a great example of his
impressive guitar skills, with its faultless and quick, almost
harsh rhythmic picking complementing and intertwining with his
vocals creating an uncomfortable and driving effect.
The Tyler's version on the other hand, broke the song down into
slowly shifting fragments and a sleepy pace, a great version that
translated the song into a kind of lullaby (well, compared to
Jones's version...) Either way, the Tyler's show was a great gig,
different from the studio recordings I've heard (Dumb Supper) which
were far more dry, droning and harsh, than the rounded folkiness I
heard on Friday.
...
Chris Bohn's Adventures In Modern Music show
on Resonance FM last night included a mix from Ekkehard Ehlers,
with scratchy vinyl delights from Alice Coltrane, Caetano Veloso
and more. Other good stuff from the show included The Threshold
Houseboys Choir, Trembling Bells and Super Vacations.
Took a while, but our Adventures In Modern
Music show on Resonance FM from 12 March is finally online ready
for download etc. Includes tracks from Mordant Music, Evan Parker
& John Wiese and Alasdair Roberts. Available here . Sorry for the
delay, normal service is now resumed etc.
Last night at Bardens Boudoir, Capillary
Action and Nadja played like each other's inverse reflection.
Capillary Action offered the spectacle of virtuosity, with
technical mastery of their instruments and a sophisticated
understanding of melody and harmony. But their immaculate
rehearsal-room constructions – imagine Prokofiev re-arranging Red
Krayola – left nothing to chance, and as a result felt somewhat
empty emotionally. Everything was so controlled it failed to
engage.
Nadja on the other hand offered no such spectacle. Just two
folk onstage playing their bass and guitar very very slowly,
occasionally tweaking the knobs on their FX units and murmuring
lackadaisically into their mics. But their (vaguely adolescent)
brand of shoegazing miserabilism possessed the emotional richness
that eluded Capillary Action. Best enjoyed with eyes closed, their
vast, fuzzy drones and delicate fragments of melody enraptured the
crowd, who stood there pale-faced and solemnly nodding, dreaming of
forests. A victory of heart over head.
http://current.com/e/89891932/en_US
>>>>>UR on TV (well, internet TV...)*******
Go To: Cath &
Phil Tyler come south to visit Dalston this Friday
Go To : Matt Stokes: The Gainsborough
Packet and Club Ponderosa , Victory
Over The Sun ... Zaum is coming soon!
"On The Idea Of Communism" at Birckbeck via
YouTube ......why not.
Eduardo Kac (animated) concrete poetry on UbuWeb
The Art of the Overhead
[Projector] Festival 2009...
Johan " Dial
H-I-S-T-O-R-Y " Grimonprez & Tom "Tintin" McCarthy's
film on Alfred
Hitchock ...
A short (and shaky) doc of William Furlong’s installation
Possibility & Impossibility Of Fixing Meaning at
Laure Genillard , 2
Hanway Place, London until 9 April.
The sound is fairly indistinct and messy until one gets closer
to the roughly canvas-sized frames where the directional aspect of
the voices can be properly heard. It’s impossible to find any kind
of proper narrative or conversation going on inside the chattering
hubub of voices mainly constituted by short phrases of
conversational hiccups, uhms and half finished sentences. As a
whole, the space sonically resembles a sleepy pub or some other
public meeting space and the closer one listens, the more
hypnotising and numbing the effect becomes.
Furlong (who is the man behind Audio Arts
Magazine cassette series, which from 1973 has collected
interviews from a broad range of contemporary artists) culled the
voices used for the compositions from his...