Essay
FMR label head Trevor Taylor remembers Roland’s electronic pioneer Ikutaro Kakehashi
April 2017
The UK improvisor recalls his years with the young Roland UK company and his relationship with Ikutaro Kakehashi
The UK improvisor recalls his years with the young Roland UK company and his relationship with Ikutaro Kakehashi
Wire writer Robert Barry's new book shows how new sonic forms emerged from 200 years of utopian possibilities and technological constraints
Philip Clark talks to the composer about a new work to be performed at The Long Now in Berlin
On the closing weekend of Berlin's 30th Transmediale festival, the multimedia artist talks to The Wire's deputy editor about language, stories and the breakdown of democracy
“We would hear about the marching soldiers in Belgium, in France, in Italy, wherever, marching, marching, marching to Russia and of course it was a self-cancelling march.” In the wake of Metzger's death, the composer and harpist remembers their collaborations
Over the last four decades, New Zealand musician Richard Nunns has headed the revival of taonga pūoro, fusing the traditional Māori instrument with modern forms of improvisation
New album ORGANVM PERCEPTVS is what happens when machines listen to pop songs and humans transcribe and play the results, says Happy Valley Band leader David Kant
On the eve of her London Barbican concert on 18 February, with more UK dates to follow, singer and folk custodian Shirley Collins selects songs of the soil that speak direct to the heart
The author of This Is Memorial Device, a fictionalised account of post-punk in Lanarkshire, documents his ‘love letter’ to his hometown with a selection of annotated images
The Wire's Rob Young, author of the forthcoming biography of the legendary German rockers Can, remembers their late founder member
Following the death of contributor Mark Fisher on 13 January 2017, we present a selection of his articles for the magazine from the past ten years. Introductions by Derek Walmsley
Eleni Ikoniadou and Lendl Barcelos talk extreme frequencies, cryptic records and sonic warfare with the audiovisual research group
What’s to be learnt from Pauline Oliveros’s contribution to 1960s electronic music? Frances Morgan finds as many answers as questions in Important’s 2012 box set Reverberations
The Argentinian guitarist talks about telematic improvisations and Reynols’s noisy collaboration with the late composer
A series of playful postcards makes for a serious rethinking of women’s place in history
Hiphop prophets from Wu-Tang Clan to Jay Electronica use Five-Percent theology to reveal New York as a site of holy revelation. By Rob Turner
Disco historian Tim Lawrence, author of Love Saves The Day, remembers the late party purist's selection policy at parties in New York, London and Sapporo
A survey of performances and recordings of improvised church singing from the Outer Hebrides
30 minute improvisation with Syd Barrett included on new box set The Early Years 1965–1972
The multilayered contexts and playful durations deployed across a new generation of video albums such as Beyoncé’s Lemonade and gallery installations including Ragnar Kjartansson’s Take Me Here By The Dishwasher recreate the quirks and tensions of old school listening habits.