“Clone Records is a label that has 25 years in business and still has no hit record. So basically it’s a complete failure and therefore we're still around,” says Serge Verschuur of Rotterdam's leading electro label and shop. To mark its anniversary he talks to Meg Woof about music and the dance of time

The Wire's Rob Young recalls the trouser-shaking subsonics of Pansonic’s “Nordic King Tubby”

The UK improvisor recalls his years with the young Roland UK company and his relationship with Ikutaro Kakehashi

Wire writer Robert Barry's new book shows how new sonic forms emerged from 200 years of utopian possibilities and technological constraints

Philip Clark talks to the composer about a new work to be performed at The Long Now in Berlin

On the closing weekend of Berlin's 30th Transmediale festival, the multimedia artist talks to The Wire's deputy editor about language, stories and the breakdown of democracy

“We would hear about the marching soldiers in Belgium, in France, in Italy, wherever, marching, marching, marching to Russia and of course it was a self-cancelling march.” In the wake of Metzger's death, the composer and harpist remembers their collaborations

Over the last four decades, New Zealand musician Richard Nunns has headed the revival of taonga pūoro, fusing the traditional Māori instrument with modern forms of improvisation

New album ORGANVM PERCEPTVS is what happens when machines listen to pop songs and humans transcribe and play the results, says Happy Valley Band leader David Kant

On the eve of her London Barbican concert on 18 February, with more UK dates to follow, singer and folk custodian Shirley Collins selects songs of the soil that speak direct to the heart

The author of This Is Memorial Device, a fictionalised account of post-punk in Lanarkshire, documents his ‘love letter’ to his hometown with a selection of annotated images

The Wire's Rob Young, author of the forthcoming biography of the legendary German rockers Can, remembers their late founder member

Following the death of contributor Mark Fisher on 13 January 2017, we present a selection of his articles for the magazine from the past ten years. Introductions by Derek Walmsley

Eleni Ikoniadou and Lendl Barcelos talk extreme frequencies, cryptic records and sonic warfare with the audiovisual research group

What’s to be learnt from Pauline Oliveros’s contribution to 1960s electronic music? Frances Morgan finds as many answers as questions in Important’s 2012 box set Reverberations

The Argentinian guitarist talks about telematic improvisations and Reynols’s noisy collaboration with the late composer

A series of playful postcards makes for a serious rethinking of women’s place in history

Hiphop prophets from Wu-Tang Clan to Jay Electronica use Five-Percent theology to reveal New York as a site of holy revelation. By Rob Turner

Disco historian Tim Lawrence, author of Love Saves The Day, remembers the late party purist's selection policy at parties in New York, London and Sapporo

A survey of performances and recordings of improvised church singing from the Outer Hebrides