Issue 158
April 1997
Bites
Motorbass House removals Michael
Prime The secret sound of plants J Majik
Techstep tearaway Label lore: CIMP
DJ Vadim
This North London mixmaster is expanding the vocabulary of
instrumental HipHop with a manifesto that draws on the influence of
musique concrete and the Biblical prophets. By Chris
Sharpe
Roy Montgomery
On the other side of the world, a lone guitarist is lifting lo-fi
minimalism to new heights of ecstasy and transcendence. By Simon
Hopkins
Pascal Comelade
Galactic cabaret music, big bands made up of toy instruments, Deep
Purple cover versions: the catalan composer brings it all together
under the warm Mediterranean sun. By David Oancio Prieto
Myra Melford
Combining Zen meditation, freewheeling performances and
compositions inspired by cinematic techniques, this New York
pianist is cutting a swathe through the city's post-jazz avant
garde. By Steve Holtje
Can
Rob Young travels to Cologne, and the legendary Inner Space studio,
for an extended interview with the four members of the most
influential Krautrock group of all
Oscillators in Outer Space
In a quest to uncover the secret history of film music, Philip
Brophy hails the erotic combination of cheesy electronics and
B-movie sci-fi in Forbidden Planet, The Day The Earth Stood
Still and Barbarella
Bandalu
Machine-age minimalists with a human touch, this North London trio
are refining the links between Jamaican dub, Detroit Techno and UK
breakbeat science. By Mike Shallcross
Invisible Jukebox: Jah Wobble
Everyone's favourite cockney bassist tries to identify tracks by
the O'Jays, Arvo Part, Don Cherry, Leftfield, Sly & Robbie and
more. Tested by Mike Barnes
Global Ear: Addis Ababa
Iain Scott witnesses the chaotic homecoming of the great Ethiopian
singer, Aster Aweke
Rammellzee
Graffiti-encrusted culture-bombs, linguistic tank battles, Medieval
vocoders, and one of the greatest HipHop jams on wax: just some of
the weaponry unleashed by rap's legendary mech-warrior. By Peter
Shapiro
Chris Cutler
Once described as the most argumentative rock musician in the
world, the ex-Henry Cow drummer now oversees a global network of
radical music. By Mike Barnes
