
Issue 164
October 1997
Global Ear: Cologne
At the fringes of Popkomm's music-media circus, Rob Young discovers
the future sound of Europe
Richard Horowitz & Sussan Deyhim
A tale of sex and sensuality in the deserts of North Africa, as
these majoun missionaries reveal the latent eroticism that beats at
the heart of Morocco's ancient trance music. By Simon Hopkins
Bites
Mats Gustafsson saxophone colossus Anna
Homler Outernational diva Eyvind Kang
Fiddler on hoof Label lore: Dot
Plaid
Journey into the multicoloured, warping world of the former Black
Dog partners and current Bjork confidantes, as they shake up an
exotic cocktail of gossamer-lite Electronica. By Rob Young
William S Burroughs: Spreading The Virus
Peter Christopherson, Coil and Cabaret Voltaire's Richard H Kirk
tell Biba Kopf how their music was infected by the germs emanating
from the dirtiest mind in American literature
To Rococo Rot
Linking the stark, white spaces of the European art house with the
open-ended world of live Electronica, this german trio are
soundtracking the emergence of a new age of enlightenment. by Rob
Young
The Secret History Of Film Music
In this latest episode: Philip Brophy focuses on the use of noise
as rupture and suture in European cinema. Starring: Pierre Henry,
Jean Luc Goddard, Metamkine
Invisible Jukebox: Stereolab
The UK's dottiest,loopiest supergroup try to identify tracks by
Jack Arel, Joyce, Harry Hosono Jnr, Nurse With Wound, Don Buchla,
Felt and more. Inquistition conducted by Mike Barnes
Yusef Lateef
Since helping to lay the foundation stones of modern jazz, this
'autophysiopsychic' musician has travelled a wayward path through
the soundscapes of Asia, West Africa and darkest Hollywood. By
Steve Holtje
Pauline Oliveros
America's most elusive Minimalist composer emerges from her
underground cavern to meditate on the mysteries of Deep Listening.
By Richard Henderson
Graham Haynes
The music of this New york trumpeter is carrying jazz into an alien
Fourth World future, using HipHop's footprints in the sand as a
guide. By Peter Shapiro