
Issue 170
April 1998
The Wire Tapper
Your cut out and keep track by track guide to this month's free
cover mount CD
Death Songs
Biba Kopf hears the dying of the light in the music of Albert
Ayler, Nick Cave, Diamanda Galas and more
Global Ear: Siberia
Ken Hyder and Tim Hodgkinson encounter music and magic on the Tuvan
Steppes
Tony Conrad
Without the Buffalo violinist there would have been no Velvet
Underground. Richard Henderson meets the Minimalist drone king who
discovered a whole new musical universe in one note
Jan Kopinski
Ten years ago the Nottingham saxophonist was committing jazz-punk
slaughter with his group Pinski Zoo. Now he is haunted by the sound
of digital mood music. By Ben Watson
Phuture
Q: What's the most influential record of the last ten years? A:
"Acid Trax", the 1987 single that launched Acid House. Mike
Shallcross flashbacks through the history of Chicago House's finest
trio
The Creators
On the trading floor of the international beat exchange, this
Surrey-based duo are blue chip brokers, trading old vinyl stock
with America's leading HipHop producers. By Peter Shapiro
Invisible Jukebox: David Thomas
The Pere Ubumeister enters our mysterious listening booth and tries
to identify tracks by the Beach Boys, Iggy & The Stooges, The
Electric EEls, Roxy Music and more. Tested by Biba Kopf
The Primer: Captain Beefheart
Mike Barnes dons his trout mask for a surrealist journey through
the recorded legacy of the spotlight kid
Loren Mazzacane Connors
Long before anyone was listening, America's most self-effacing
guitarist was forging new music out of the country blues and the
canons of Bach and Chopin. Now he makes the cover of Billboard. By
AC Lee
The Secret History Of Film Music
The films of Italy's Dario Argento are blood weddings between the
symphonic Prog rock of Goblin and Grand Guignol horror. Philip
Brophy screams his approval