Issue 172
June 1998
Global Ear: Odessa
Thea Derks reports from the Ukrainian city where a classical music
festival has become a weapon in the war against political and
social corruption
Bites
Cut Chemist Old School pharmacist Pat
Thomas Random noise bursts Goran Bregovic
Epic soundtracks Thomas Dimuzio Sonic extremist
Fast track: gavin Bryars Label lore: Sargasso
Ikue Mori
The cyborg drum programmer has been scrambling the codes of avant
rock ever since she landed the drum seat in the No Wave group DNA.
Her album sleeve designs aren't bad, either. By AC Lee
Don Byron
The prickly clarinettist, whose music spans homages to 40s cartoon
composers, Jewish klezmer, Mandrill's funk-Metal, and the nu
blaxploitation of Existential Dred, makes life difficult for Howard
Mandel
Sun City Girls
The mysterious American underground trio break a 15 year media
silence to discuss their music's embracing of lo-fi, punk jazz and
noise Improv, and why they venearte the gooddess Kali. By Douglas
Wolk
John Martyn
Emerging from the 60s folk revival, the Scottish guitarist evolved
a highly personal songwriting style for his bruised voice and
echo-drenched improvisations. And, he says, the best is yet more to
come. By Rob Young
Invisible Jukebox: Jesus And Mary Chain
East Kilbride's sidewalk surfers collide head on with records by
Butthole Surfers, Caspar Brotzmann & FM Einheit, Lou Reed, My
Bloody Valentine, High Rise and more. Tested by Mike Barnes
Plastikman
Is the stripped back and streamlined Techno of Canada's Richie
Hawtin a puritanical response to the gross-out consumer excesses of
the USA? Rob Young investigates
The Secret History of Film Music
I second that motion? Far from underscoring feeling in the movies,
orchestral music usually swamps it. Philip Brophy sifts out
excerptions by Gorecki, Penderecki, Jack Nitzsche and Philip
Glass
The Primer: P-funk
Bridging the mind-booty divide, george Clinton's
Parliafuckadelicment Thang combined black sci-fi, low-sling funk
and epic space rock into a series of brain-frying fusions. Peter
Shapiro untangles a complex genealogy
Gary Lucas
The former Beefheart guitarist discusses his Jewish musical roots,
a recent collaboration with Future Sound Of London, and his
childhood vampire obsession. Mike Barnes takes notes
