Issue 174
August 1998
Global Ear: Chur
Clive Bell gets onto a Chur thing at an alpine yodelling contest,
where he discovers there's more to Swiss culture than the cuckoo
clock - like cheese, cowbells and alphorns
Bites
Ganger Jockrock journeymen James
Ruskin The minimal sound of UK techno
Pole Beat interference
Arnold Dreyblatt
Going beyond Minimalism, this American composer began his revision
of Western tuning from the ground up. Starting with a single wire,
he's now up to a full Orchestra Of Excited Strings. By Cristoph
Cox
The Secret History of Film Music
In the latest reel of his film music study, Philip Brophy goes
beneath the covers of Crash and Last Tango In
Paris to find out how composers are called up to disguise the
animal grunt of sex on screen
John Fahey
When the great American guitarist invented Blind Joe death in the
60s, he had the devil to pay for his authentic blues. The debt paid
in full, he has re-emerged as a 90s avant rock hero. By Edwin
Pouncey
The Herbie Hancock Sextet
Pre-Headhunters, the Best Group in the World recorded
Mwandishi, Crossings and Sextant, and
electreic jazz would never be the same again. By Tony
Herrington
Apocalypse, Hawaiian Style
The H-bomb test on Bikini Atoll was a key image in the 50s exotica
boom, when Martin Denny, Arthur Lyman, Les Baxter and Yma Sumac
warmed up the suburbs of cold war America. By Ken Hollings
Invisible Jukebox: Talvin Singh
East London's tablatronic One Worlder bends an ear to tracks by
Zakir Hussain, Tricky, African Head Charge, Ravi Shankar,
Grooverider and more. Tested by Rob Young
The Primer: Musique Concrete
Out of all the historic avant gardes, musique concrete still
resists commodification. Art Lange picks out the best available
computer and tape compositions, from Pierre Schaeffer to Morton
Subotnick
