
Issue 209
July 2001
Radiohead
At their Oxford base, Thom Yorke and Jonny Greenwood tell Simon
Reynolds about dissent in an apathetic age, the secrets of their
studio techniques and how to stay off-message while under corporate
manners
MicroHouse
Artists such as Vladislav Delay, Thomas Brinkmann and Jan Jelinek,
and labels like Perlon, Playhouse and Kompakt, are recharging
electronica by reducing Chicago House to a microsystem of clicks
'n' cuts. By Philip Sherburne
Arthur Doyle
A forgotten contemporary of Albert Ayler and Sunny Murray, this
itinerant saxophonist has evaded the clutches of the CIA and the
French prison system to keep the torch of black free music burning.
By Dan Warburton
Invisible Jukebox: Pauline Oliveros
The queen of Deep Listening walks it like she talks it in our
blindfold test, attempting to identify drones by Fripp & Eno,
John Cage, Thomas Brinkmann, Reynols and more. Tested by Christoph
Cox
Tangents: Metropolis and the Man-Machine
Ever since Fritz Lang's 1927 silent masterpiece prophesied a
robotic age of totalitarianism, willing slaves to the rhythm from
Kraftwerk to Giorgio Moroder and Jeff Mills have attempted to
soundtrack it. By Ken Hollings
Four Tet
Kieran Hebden speaks to John Mulvey about the forces of folk and
jazz seeping through his electronica
John Hudak
Jim Haynes meets the Brooklyn sound artist quietly crafting an
extensive catalogue of haikus and minimalist recordings
Oren Ambarchi
The Australian experimental guitarist finds a new place past jazz
and Judaism. By Will Montgomery
Fred Lonberg-Holm
The Chicago-based cellist squelches the analytical while in
constant demand, finds Jon C Morgan
Global Ear
Andy Hamilton follows the musical signs along the Estonian capital
of Tallinn's path to independence
Epiphanies
Ian Shrley's ears are repolished by the metallic sci-fi reflections
of Chrome
Print Run
America's Musical Life, by Richard Crawford; Serge Gainsbourg: A
Fistful Of Gitanes, by Sylvie Simmons; Miles Beyond: The Electric
Explorations Of Miles Davis 1967-1991, by Paul Tingen; Spinning
Blues Into Gold: Chess Records, The Label That Launched The Blues,
by Nadine Cohodas; Crosstown Traffic: Jimi Hendrix And Post-War
Pop, by Charles Shaar Murray
Ether Talk
At May's Cybersalon Net.Music conference in London, French
economist Jacques Attali declared that the Internet allows noise's
war on music to continue by other means
On Location
LMC's Tenth Annual Festival Of Experimental Music, London Purcell
Room, UK; Mutek, Montreal Ex-Centris/Sat, Canada; Le Weekend,
Stirling Cowane Theatre, UK; Totally Huge New Music Festival, Perth
Pica/ Subiaco Theatre Centre, Australia; Fred Frith + Mandura +
Mike Cooper & Viv Corringham, London Blue Camel At The Spitz,
UK