
Issue 212
October 2001
Kid 606
Oakland's hyperactive electronica whizz Miguel Depedro is a one man
tiger economy, pumping out words almost as fast as he cranks out
his giddy laptop beatnoise. Just don't call it ephemeral, he tells
Peter Shapiro
Primer: Wu-Tang Clan
An initiate's guide to one of HipHop's biggest enigmas: the
mixillogical swordplay and Confucian lyricism of The RZA, Genius,
Raekwon, Ol' Dirty Bastard, Ghostface Killah, Method Man and more.
By Sasha Frere-Jones
Christina Kubisch
The Berlin based sound installer has traversed a diverse route
through conceptual art, avant garde performance and ecological
headgames that plunge the listener into the heart of the artwork.
By Rahma Khazam
Invisible Jukebox: Richie Hawtin
Aka Plastikman, the Canada based Techno minimalist attempts to pin
down tracks by Mike Ink, Herbie Hancock, Baby Ford, Tony Conrad,
Morton Feldman, Front 242, Autechre and more. Tested by Liz
Copeland
Techno Animal
British beat-bludgeoning duo Justin Broadwick and Kevin Martin's
ten year assault on sonic decency has resulted in a new brotherhood
featuring the cream of American underground rappers. By David
Keenan
Henry Flynt
The radical country fiddle technique of this pioneering American
spirit has gone unheard of for 20 years. Now two CDs finally make
public his previously forgotten strand of avant garde hillbilly
fusion. By Marcus Boon
Oneness of Juju
Chris Menist explores the African rhythms that make us dance and
clap our hands with the American Afro-jazz group.
William Winant
The Oakland percussionist is set to nail Most Valuable Player in
the American New Music scene, thinks Richard Henderson
Ekkehard Ehlers
Philip Sherburne meets the German recontextualist firing up
glitch
Satlah
The Israeli saxophonist distils post-bop with Jewish cultural
tradition. By Julian Cowley
Global Ear
Joseph Ghosn hears the sound of DIY emanating from Beirut
Epiphanies
Clive Bell narrowly escapes joining Henry Cow
In Print
The Beat Hotel: Ginsberg, Burroughs & Corso In Paris,
1957-1963, by Barry Miles; Works 1965-2000 by Dan Graham; Like
Young: Jazz And Pop, Youth And Middle Age, by Francis Davis; The
Graffiti Subculture: Youth Masculinity And Identity In London And
New York, by Nancy MacDonald; Bananafish 15; Selected Works:
1990-2000, by Achim Wollscheid; Where Dead Voices Gather, by Nick
Tosches
Ether Talk
The interactive software of Jennifer and Kevin McCoy shows how it's
possible to have an artistic social life online. By Anthony
Huberman
On Location
Björk, London St John's Smith Square, UK; Beyond The Pale Festival,
San Francisco Great American Music Hall, USA; Ars Electronica, Linz
Various Venues, Austria; Boubacar Traore, Berkeley Ashkenaz,
USA;