Issue 219
May 2002
John Oswald
Canada's prince of plunderphonia recalls his battles with the
majors for his artistic right to reclaim his sound environment from
the noise pollution of pop by recycling it through his
plunderphonics system. By David Keenan
Shirley Collins
One of the great English voices is experienceing a resurgence of
interest in her skeletal, haunting, quasi-medieval songs, over a
career that spanned post-war 'industrial folk' to 70s folk rock. By
Mike Barnes
The Fall
Simon Ford travles back in time to mid-70s Manchester and witnesses
the difficult birth of one of Britain's most uncompromising groups
in basement arts clubs and a flat on Kingswood Road
Invisible Jukebox: El-P
The ex-Company Flow rapper and head of Def Jux sustains fantastic
damage trying to identify tracks by EPMD, Alejandro Jodorowsky, BBC
Radiophonic Workshop, Goblin and more. Tested by Peter Shapiro
The Primer: The Old, Weird America
From yodelling cowboys and Arcadian accordion players to Civil War
fife and drum bands and croaking gospel singers, Richard Henderson
has the lowdown on hillbillies, hoedowns and hellcats of a strange
New World
Jewelled Antler Collective
Taking in artists such as Thujua, Loren Chasse, Blithe Sons and
Skygreen Leopards, this loose-knit California troupe reconnect with
nature and childlike wonder by channeling the spirit of AMM and
Swell Maps. By Jim Haynes
Mission of Burma
Nearly twenty years on, the Boston group have found a new lease on
life and a new audience to appreciate it. By Philip Sherburne
Mick Beck
Ben Watson meets the bassoonist with a notion to get something new
out of the instrument, including collaborations with the likes of
Derek Bailey, Matt Wand, Paul Hession, and Squarepusher.
Vinko Globokar
The composer who belongs nowhere has his own take on immigrant
songs. By Philip Clark
Global Ear
Malu Halasa witnesses the struggle between custom and modernity in
Aleppo, Syria
Epiphanies
Dave Tomkins has his balls and his booty bounced by Miami Bass
In Print
Offbeat: Collaborating With Kerouac, by David Amram; Dance Of Days:
Two Decades Of Punk In The Nation's Capital, by Mark Andersen &
Mark Jenkins; Leonardo Music Journal Vol 11: Not Necessarily
"English Music": Britain's Second Golden Age, edited by Nicolas
Collins; The New York Schools Of Music And Visual Arts, edited by
Steven Johnson
Ether Talk
Anthony Huberman picks up sound art's vibrations at this year's
Whitney Biennial
On Location
All Tomorrow's Parties, Los Angeles UCLA, USA; Simultaneous
Silence, Berlin Studios Nalepastrasse, Germany; Oblique Lu Nights,
Nantes Le Lieu Unique, France; Taku Sugimoto/ Mark Wastell/ Rhodri
Davies, London Sound 323, UK; Keith Tippett & Peter Fairclough,
Gateshead Caedmon Hall, UK; Lovebytes Festival, Sheffield Showroom,
UK; Pinski Zoo/ Blurt, London 93 Feet East, UK; New York, New
Sounds, New Spaces, Lyon Musee d'Art Contemprain, France
