Issue 221
July 2002
Keiji Haino
Alan Cummings penetrates the universal consciousness of the Tokyo
shaman, who has conducted a 30 year quest to outdo the Big Bang
with his Fushitsusha and Aihiyo groups, solo guitar noise,
percussion rituals and DJ sets
John Coltrane
Commemorating 35 years since the saxophonist's death, Howard
Mandel's personal memoir recalls how Coltrane's last, cosmic,
acid-fuelled free jazz blew all-comers out of the water, on albums
like Ascension and Interstellar Space
Primer: Nurse With Wound
A user's guide to two decades' worth of macabre surrealism, dream
visions, dissecting-table logic and automatic music, all emanating
from the fertile imagination of Steven Stapleton and friends. By
David Keenan
Wordsound
Skiz Fernando's HipHop label has been predicting apocalypse via the
urban pressure sounds of Spectre, Prince Paul, Sensational and
others. Now he blows the cover of the music industry hustle in his
Crooked film. By Hua Hsu
Philip Jeck
Amplifying dust crackles and scratches, the English turntablist
loads up his Dansettes with melancholy, deeply affecting requiems
that attempt to resurrect vinyl memories from the dustbins of
history. By Clive Bell
Invisible Jukebox: Simon Fisher Turner
The former King of Luxembourg, Derek Jarman soundtracker and
Ambient musician turns blue trying to identify tracks by Bowie,
Eno, PiL, Walter Ruttmann, Bid, Wishmountain and more. Tested by
Mike Barnes
DJ /Rupture
Anecdotal evidence from Jace Clayton proves the mix is more than
the sum of its parts. By Hua Hsu
Goodiepal
Jerome Maunsell meets the Danish electronic musician undermining
and celebrating corporate brands
Al Margolis
The American composer and cassette-activist has also got his hands
dirty with label management. Dave Mandl explains.
Global Ear
David A Edwards finds a vibrant Space for creative music in
Wellington, New Zealand
Epiphanies
Late Junction's Verity Sharp tunes in to the animal
mechanics of Sergey Kuryokhin
Print Run
Castles Made of Sound: The Story of Gil Evans, by Larry Hicock;
Electronic and Experimental Music: Pioneers in Technology and
Composition, by Thomas B Holmes; Rhythm and Business: The Political
Economy of Black Music, edited by Norman Kelley; Lexicon Devil: The
Fast Times and Short Life of Darby Crash and the Germs, by Brendan
Mullen with Don Bolles & Adam Parfrey; Bill Evans: Everything
Happens To Me: A Musical Biography, by Keith Shadwick; Cookin':
Hard Bop and Soul Jazz 1954-65, by Kenny Mathieson; Soundart: The
Swedish Scene, by Teddy Hultberg; Back In The Days, Jamel
Shabazz
Cross Platform
A new exhibition of videogames scores high on the music content,
says Ken Hollings
Plus: Reviews of: Sampling/ Christian Marclay; Christina Kubisch:
Thirty-three Fields; and DVDs by: Autechre and Takagi Masakatsu
On Location
Festival International De Musique Actuelle, Victoriaville Various
Venues, Canada; Turntable Hell, London Queen Elizabeth Hall, UK;
Cinematic Orchestra, Londn Hanover Grand, UK; Eletronika Festival,
Belo Horizonte Various Venues, Brazil; Bang On a Can With Cecil
Taylor, London Barbican, UK; Adventures, New York Symphony Space,
USA; Tikiman & Scion, San Francisco Recombinant Labs Compound,
USA
