
Issue 223
September 2002
Boredoms
Yamataka Eye and Yoshimi P-We's 16 year old avant institution has a
new lease of life. They tell Edwin Pouncey how they've streamlined
their anarchic punk into a disciplined percussion frenzy... by
turning the group into a turntable
Atom Heart
Call him Señor Coconut, Geeez 'N' Gosh, Lassigue Bendthaus or a
dozen other names: Uwe Schmidt's Rather Interesting electronica
empire is putting flesh on the bones of Kraftwerk's robotic models.
By Ken Hollings
Invisible Jukebox: Charlemagne Palestine
Will tracks by Morton Subotnick, La Monte Young, Kraftwerk, Jon
Hassell, Terry Riley, Diamanda Galas, Suicide, Hermann Nitsch and
more ring any bells with minimalism's unalloyed genius? Louise Gray
finds out
Primer: Miami Bass
A user's guide to the sub-bass booms, booty bumps, low end theries
and quad-ditties of South Florida's Techno children including Luke
Skyywalker, T La Rock & Jazzy Jay, DJ Magic Mike, Master Ace
and more. By Dave Tompkins
Yasunao Tone
Following his paramedia assaults on Japanese street life via
collaborations with Merce Cunningham and Yoko Ono, this
prizewinning former Fluxus artist is carving up the digital domain
with his wounded CDs. By Alan Licht
Earle Brown
The founding father of the 'New York School' of avant garde
composition died in July this year. David Ryan pays tribute to an
often overlooked pioneer of chance operations, graphic scores and
beyond
DJ Cheb i Sabbah
Richard Henderson gets down with the Bay Area DJ and his worldly
take on trance music
RJD2
The HipHop producer tells Philip Sherburne tall tales from the
Midwest; growing up on streetcorner battles and classic rock.
Clarence Barlow
The Calcutta-born composer claims delight in playing havoc with the
rules and derives great pleasure in annoying the narrow-minded. By
Philip Clark
Global Ear
Don Watson travels deep inside Russia's Volga Basin to eavesdrop on
the region's new electronica scene
Epiphanies
In 1969, Mike Westbrook's large scale anti-war music provided the
rallying flag for the UK's massing free jazz ranks. By John
Cratchley
Print Run
A Long Strange Trip: The Inside History of The Grateful Dead, by
Dennis McNally; Can't Be Satisfied: The Life and Times of Muddy
Waters, by Robert Gordon; Perry Robinson: The Traveler, Perry
Robinson & Florence Wetzel; Digitopia Blues: Race, Technology,
And The American Voice, by John Sobol; Between Montmartre And The
Mudd Club: Popular Music And The Avant-Garde, by Bernard
Gendron
Cross Platform
Philip Sherburne meets Jonathan Bepler, the man charged with the
task of soundtracking Matthew Barney's epic Cremaster film
cycle, which contains some of the most challenging and arresting
images of American art cinema
Plus: Reviews of DVDs of: The Final Academy Documents; SFT
On Location
Ladyfest London 2002, London Garage, UK; Koneisto Festival,
Helsinki Various Venues, Finland; N*E*R*D, London Shepherd's Bush
EMpire, UK; Children of Agharta, New York Village Underground, USA;
Zappanale #13, Bad Doberan Galoprennbahn & Kamp Theater,
Germany; What Is Music 2002, Sydney Various Venues, Australia