Issue 241
March 2004
cLOUDDEAD
anticon's central trio ponder their disenchantment with HipHop and
life under Schwarzenegger. By Rob Young
Györgi Ligeti
The postwar era's most individual composer talks to Philip Clark
about his brushes with serialism and Stanley Kubrick
Art Bears
Julian Cowley talks to Chris Cutler, Fred Frith and Dagmar Krause
about oppositional rock after Henry Cow
Mars
New York No Wave's prickliest proposition discuss their 32 minute
recorded legacy. By Edwin Pouncey
Invisible Jukebox: Four Tet
Kieran Hebden tries to spot tracks by Ui, Joe Henderson, A Certain
Ratio and more. Tested by Mike Barnes
Olga Neuwirth
The Austrian composer who refuses to be silenced by yodellers talks
about music in a cold climate. By Nicholas Till
Double Leopards
David Keenan explores exactly how this Brooklyn quartet live in the
moment.
Bernhard Gál
Viennese Berliner Gál finds the subtle sonorities of language and
everyday sound ample inspiration. By Will Montgomery
A Hawk And A Hacksaw
Jeremy Barnes experiences Quixotic life post-Neutral Milk Hotel as
an "homme orchestre". By Mia Clarke
Global Ear
At home with the late Sun Ra's Arkestra in Philadelphia. By David
Keenan
Epiphanies
David Stubb's is aroused by Faust's Krautrock weirdness
Print Run
Bessie, by Chris Albertson; The Auditory Culture Reader, edited by
Michael Bull & Les Back; Music: Healing the Rift, by Ivan
Hewett; Music and Technoculture, edited by Rene Ta Lysloff &
Leslie C Gay Jr
Cross Platform
After emigrating to New York in 1965, video art pioneers Steina and
Woody Vasulka broke the mould by using synthesizers to process
video signals. By Richard Henderson
Plus: DVD reviews of Amon Düül 2 and The Cry of Jazz; Mute at New
York Guild & Greyshkul; A New Loop by Giacomo Spazio. And Drew
Daniel's Inner Sleeve featuring Prince
On Location
John Cage Uncaged, London Barbican; Charlemagne Palestine, Paris
Instants Chavirés; Sonic Capitals Festival, Paris Les Voûtes;
Anoyondekigoto, Leeds Termite Club
