
Issue 242
April 2004
Ghost
The Tokyo psychedelic speedfreak scene's most otherworldly group
tell Edwin Pouncey spooky stories
Rammellzee
The artist, rapper, graf Writer and Gothic Futurist warrior talks
up his war of the words. By Greg Tate
Invisible Jukebox: Luc Ferrari
The electronics pioneer gets cut-up over tracks by Gastr Del Sol,
Kagel, Ashley and more. Tested by Dan Warburton
Jack Rose
Drone group Pelt's self-styled Dr Ragtime revitalises US free folk
with his kaleidoscopic picking. By David Keenan
Primer: Cecil Taylor
Brian Morton celebrates the free jazz pianist's 75th birthday with
a guide through his tumultuous back catalogue
Dean Roberts
Rob Young considers the various incarnations of music cocooning the
fragile beauty of the guitarist's work
Pelican
The Chicago quartet swallow the Heaviest influences to make their
own instrumental post-hardcore. Edwin Pouncey explains
CocoRosie
A tale of two sisters and the space in between. By Anne Hilde
Neset
Global Ear
In Phnom Penh, David Crosbie witnesses Cambodian artists
rediscovering their roots
Epiphanies
Samantha Brown learns how not to lie from an Elizabeth Cotten
song
Print Run
Beglad: An Incredible String Band Compendium, edited by Adrian
Whittaker; Stomp and Swerve: American Music Gers Hot 1843-1924 by
David Wondrich; Autumn Rhythm by Richard Meltzer
Cross Platform
Julian Cowley examines artist Bill Fontana's sonic readymades, and
hears how his environmental art makes sound travel at the speed of
light
Plus: 3rd Annual Berlin Biennial; Haack: The King of Techno;
Juneau/ Projects/: Motherf**king Nature; and DVDs The Blues and
Interface. And Kim Gordon's Inner Sleeve featuring Chet Baker &
Art Pepper
On Location
Brian Wilson: Smile, London Royal Festival Hall; Henry Grimes &
William Parker, Philadelphia University of Pennsylvania; Nobukazu
Takemura and The Child's View Band, London Union Chapel; Subcurrent
Festival, Glasgow CCA