
Issue 244
June 2004
Fennesz
Rob Young's rendezvous with Vienna's laptop prince finds an artist
immersed in the beauty of disintegration
Eric Dolphy
David Stubbs reassesses the legacy of Eric Dolphy 40 years after
his death
Philip Corner
Marcus Boon indexes the resonating metals in the Fluxus pioneer and
Gamelan Son of Lion founder's works
Invisible Jukebox: Vinicius Cantuária
The Brazilian singer tries to identify music by The Beatles, David
Tudor, DNA and more. Tested by Anne Hilde Neset
Primer: Oriental woodwinds
Clive Bell traces woodwind music for sho, khene, shakuhachi and
more through Burma, China, Indochina and Japan
PG Six
The nontraditional New York musician's flowering in life post-Tower
Recordings. By Marc Masters
Henrik Rylander
The independent Swede finds himself a solo feedbacker. By Elisabeth
Vincentelli
Sixtoo
Hip hop Canadian cleanliness contributes to jazz funk fusion. Rob
Young explains
Global Ear
Matt Wuetrhich discovers the new weird Finland in Helsinki, Tampere
and Turku
Epiphanies
Chinese critic Yan Jun undergoes a life change during Otomo and
Sachiko M live in Beijing
Print Run
Haunted Weather: Music, Silence and Memory, by David Toop; On the
Music of Stefan Wolpe: Essays and Recollections, edited by Austin
Clarkson; The Other Side of Nowhere: Jazz, Improvisation, and
Communities in Dialogue, edited by Daniel Fischlin & Ajay
Heble; Clits: The Best of DDDD Zine, edited by Simon DDDD
Cross Platform
Artist Susan Philipsz's songs to herself form an alternative Muzak
intruding on public spaces. By Anne Hilde Neset
Plus: Reviews of Doku/ Fiction: Mouse on Mars Reviewed &
Remixed book + CD; Nicedisc DVD, Charlemagne Palestine: Sacred
Bordello book, Shamanic Warriors Now Poets book. And Babs Santini's
Inner Sleeve featuring Floh de Cologne
On Location
All Tomorrow's Parties, Camber Sands UK; Berio Festival, London
South Bank; Freedom of the City Festival, London Conway Hall; New
Music, New York + 25 Festival, New York, USA; Maerzmusik Festival,
Berlin, Germany.