
Issue 339
May 2012
Atom™
From Señor Coconut to 19th century Romantic, Uwe Schmidt’s multiple
personae spring from a lifelong passion for electronic simulacra,
says Dan Barrow.
The Primer Sound poetry
A guide to the artists, writers, composers and performers who
declared war on the word with their visceral voices and liberated
texts. By Julian Cowley.
Invisible Jukebox Mary Halvorson
The avant-everything guitarist finds some previously unknown
pleasures in The Wire’s mystery record selection. Tested
by Howard Mandel.
Scott Walker
Ian Penman casts aside received rockist wisdom and asks if the
singer’s lost years of MOR covers and TV shows were, in fact, his
most musically enchanting.
The great unlearning
What happened when Philip Clark left his compositional comfort zone
and ventured into Eddie Prévost’s improvisation workshop?
Collateral Damage
Digital media might have a lower carbon footprint, but they’re not
resource-free, argues Phil England.
Global Ear Seoul
The Occupy movement is helping underground music ferment in South
Korea. By Peter Meanwell.
Cross Platform Benedict Drew
The artist and musician’s installations unsettle with musique
concrète and repurposed apps. By Nick Cain.
Laurel Halo
Adam Harper gets enjoyably lost in the electronic musician’s
free-roaming futurescapes.
Sean McCann
David Keenan hears Renaissance choirs, American minimalism and folk
in the US composer’s work.
Bites
RAI’s radiophonic dramas on Imagination At Play; Jon
Wozencroft and Paul Devereux’s Landscape & Perception website;
Her Noise Archive; Jo Thomas; plus Unofficial Channels.
The Inner Sleeve
Mark Fell on The Human League’s Boys And Girls and The
Sound Of The Crowd.
Epiphanies
A 1990 London gig by The Grateful Dead blows Richard King’s tiny
mind.
Print Run
New music books: biographies of La Monte Young and Einstüzende
Neubauten, a social history of noise, Gunther Schuller on himself
and Will Oldham on Bonnie ‘Prince’ Billy
On Screen
Films & DVDs: Aldo Tambellini, Cathodic Works
1966-1976; Yannis Kyriakides, Narratives 1:
Dreams.
On Site
Exhibitions, installations, etc: Sound Art. Sound As A Medium Of
Art in Karlsruhe; Jeremy Deller and Weighted Words in London.
On Location
Festival and concert reviews: AV Festival, Faster Than Sound: I
Burn For You, Jenny Hval, Olga Neuwirth, Raster-Noton
Anniversary.
Soundcheck A–Z
Akke Phallus Duo
Syed Kamran Ali & Pascal Nichols
Eleh
Geoff Barrow & Ben Salisbury
Batida
Francis Bebey
John Bischoff
Bobby Browser
John Cale
Gareth Davis & Frances-Marie Uitti
Death Grips
Le Drapeau Noir
Josephine Foster & The Victor Herrero Band
Gannets
Nick Hoffman & Aaron Zarzutzki
Anna Homler & Sylvia Hallett
Kev Hopper
Earl Howard
Kelvox 1
Ustad Abdul Karim Khan
KTL
Joke Lanz
Sean McCann & Matthew Sullivan
Andrea Neumann & Bonnie Jones
Daphne Oram reworked and reinterpreted by Andrea Parker & Daz
Quayle
Anthony Pateras
Ashley Paul
Peaking Lights
Public Image Ltd
Radiant Husk
Terry Riley
Ákos Rózmann
Troy Schafer
Conrad Schnitzler
SFV Acid
Iain Sinclair
Wadada Leo Smith
Smith & Mighty
Ernstalbrecht Stiebler
Strategy
Traxman
Ufomammut
Variety Lights
Various Filtered
Various Ike Turner Studio Productions: New Orleans And Los
Angeles 1963–
1965
Various The Minimal Wave Tapes
Volume 2
Various Shangaan Shake
Various Stellate 1
Various Tension: Spanish Experimental Underground
1980–1985
Various Werewolf Songs: Music Inspired By Swedish Folklore
John Wall & Mark Durgan