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The Portal

The Durian Brothers Portal

July 2013

Sound poet and lecturer Marc Matter, furniture designer and musician Stefan Schwander and artist Florian Meyer meet for a day at a time to record as The Durian Brothers. The trio, releasing on Fat Cat Records and featured in the July issue of The Wire, share an index of manifestos, neologisms and more.

Essay

Collateral Damage: Numero Group on the vinyl bubble

June 2013

The recent boom in vinyl merely reflects business’s desire to extract maximum commodity value from ‘manufactured rarities’. But, ask Numero Group’s Rob Sevier and Ken Shipley, what happens to the music when the bubble bursts?

Essay

Collateral Damage: Numero Group on the vinyl bubble

June 2013

The recent boom in vinyl merely reflects business’s desire to extract maximum commodity value from ‘manufactured rarities’. But, ask Numero Group’s Rob Sevier and Ken Shipley, what happens to the music when the bubble bursts?

The Mire

Mother Motherland & The Last Post

During a recent visit to Kiev as part of a selection panel for a call for sound and art works made by the ECAS network , I visited the Ukranian capital's World War Two memorial. I made my way through the Soviet era metro and out to the hills overlooking the wide Dnieper River, with clusters of imposing looking tower blocks beyond its opposite banks. After passing through a park, the gold-domed Pechersk Lavra and Memorial To The Holodomor Victims (the Ukrainian “terror-famine” in the early 1930s) I enter a pedestrian boulevard. At the head of it sit kiosks and cafes, with small groups of visitors escaping from the hot weather, sipping beer in the shade of umbrellas. The broad boulevard stretches out under the hot sun for nearly a kilometre. I hear the muffled sounds of distant music being played. Suddenly, a loud and mournful male voice starts singing in contrabass right next to me. The entire boulevard is...

The Mire

Listen And Learn

The listening session, where writers are herded into a company office to get the first spin of a new album, is now an everyday – yet still clandestine – event. Big independents and major labels are paranoid about their precious new albums leaking through journalists (anecdotally, most leaks happen before it even goes out to the media) so they operate an odd nannying operation whereby you can come along and hear the album... but there's no chance of getting it into your own hands. There’s two types of listening session. The first and the most excruciating is where a PR is detailed to sit in with you, giving tedious behind-the-scenes gossip on how the artists got their shit together, all the while trying to keep a sneaky eye on your response to the music. It's like a waiter in a posh restaurant painstakingly explaining all the ingredients to you, constantly checking whether you enjoyed it, and asking if there's anything you need,...

The Portal

The Portal: Mississippi Records's Eric Isaacson

May 2013

The reissue label boss (featured in The Wire 352) introduces us to his selection of underfunded independent cultural institutions: "Bear in mind I rarely surf the net for anything beyond movie showing times. Still, I happen to know these organisations are worth keeping an eye out for."

The Portal

Heatsick's Portal

May 2013

Steven Warwick's quick stop tour of his favourite bits of reading, watching and listening online, taking in drone aircraft technology, hybridisation and queer actor and director Fred Halsted.

Column

Abi Bliss: Invisible Women

April 2013

Fetishising female pioneers of electronic music risks banishing them to glass cases, away from the main exhibits in the museum of musical history, says Abi Bliss.

The Portal

Ashley Paul Portal

April 2013

Follow Ashley Paul's top choice picks of the web. The US multi-instrumentalist was featured in The Wire 350, in an interview with Nick Southgate.