Columns
Music in the gallery: Chin-stroking at the Noise dudes
July 2013

Nathan Budzinski on the ascendency of art galleries as music venues – pleasure at what cost?
Nathan Budzinski on the ascendency of art galleries as music venues – pleasure at what cost?
Sound poet and lecturer Marc Matter, furniture designer and musician Stefan Schwander and artist Florian Meyer meet for a day at a time to record as The Durian Brothers. The trio, releasing on Fat Cat Records and featured in the July issue of The Wire, share an index of manifestos, neologisms and more.
Philip Clark asks why London has always been "re" rather than "pro" active towards trends in composed music.
The author of Japanoise: Music At The Edge Of Circulation and lecturer in the upcoming Music, Digitisation, Mediation conference in Oxford (11–13 July) shares his favourite online sound archives.
"Retail is retail, whether it’s a cup of coffee or an Eliane Radigue CD" says Mark Wastell to Mr Bell.
The recent boom in vinyl merely reflects business’s desire to extract maximum commodity value from ‘manufactured rarities’. But, ask Numero Group’s Rob Sevier and Ken Shipley, what happens to the music when the bubble bursts?
The recent boom in vinyl merely reflects business’s desire to extract maximum commodity value from ‘manufactured rarities’. But, ask Numero Group’s Rob Sevier and Ken Shipley, what happens to the music when the bubble bursts?
The New York based sound artist and experimental turntablist shares her favourite online resources on turntablism, sound and visual art.
The reissue label boss (featured in The Wire 352) introduces us to his selection of underfunded independent cultural institutions: "Bear in mind I rarely surf the net for anything beyond movie showing times. Still, I happen to know these organisations are worth keeping an eye out for."
Philip Clark muses the death of composer Steve Martland and the identikit obituary.
Steven Warwick's quick stop tour of his favourite bits of reading, watching and listening online, taking in drone aircraft technology, hybridisation and queer actor and director Fred Halsted.
Clive Bell looks at the threatened ecology of instruments and the people who still play them.
Fetishising female pioneers of electronic music risks banishing them to glass cases, away from the main exhibits in the museum of musical history, says Abi Bliss.
Mark Pilkington speaks to the man behind a book exploring the crossovers between insect noises and synthesized sounds.
In his latest column, Philip Clark asks whether the piano is still relevant – have things dropped off since Debussy, Ravel and Janáček?
Follow Ashley Paul's top choice picks of the web. The US multi-instrumentalist was featured in The Wire 350, in an interview with Nick Southgate.
Dennis Johnson's newly recorded piece November, which inspired La Monte Young's The Well Tuned Piano, rewrites the history of minimalism. Clive Bell talks to the elusive mathematician.