Jan Anderzén, the Finnish frontman of
Kemialliset Ystävät and Tomutonttu is featured in The Wire
330 Invisible Jukebox, tested by Daniel Spicer. Anderzén's newest
release is Nääksää nää mun kyyneleet by Tuusanuuskat, a
collaboration between Tomutonttu and Es, aka Fonal Records’s Sami
Sänpäkkilä.
Read an extract from Stephen Grasso's essay
on Voodoo, Mardi Gras and funk from Strange Attractor Journal
Four, reviewed by Edwin Pouncey in The Wire 330.
Read two extracts from C'est La Guerre:
Early Writings 1978–1983, a collection of writings by The
Wire's regular Size Matters columnist from the beginning of
his career.
The group are well-known in the Ukraine, and
released their most recent album Dolce Vita in spring last
year. They have been touring it for the last year across the
Ukraine, Russia, Western Europe and America.
Yusef Sayed's Primer on the
guitarist/improvisor/producer Jim O'Rourke is in The Wire
330.
Dan Wilson's article on Daphne Oram,
co-founder of the BBC Radiophonic Workshop and inventor of the
Oramics machine, is in The Wire 330.
The film maker and journalist talks to Nathan Budzinski about
pop trash, posh documentaries and writing with archives.
A regular opinion column on the fallout from
music’s shifting economy. This month: After committing
‘professional suicide’ by giving away his back catalogue online,
Bob Ostertag wonders how the web is changing our understanding of
music for good.
A regular opinion column on the fallout from
music’s shifting economy. This month: After committing
‘professional suicide’ by giving away his back catalogue online,
Bob Ostertag wonders how the web is changing our understanding of
music for good.
Winebox Press is featured in an Unofficial
Channels article by Daniel Spicer in The Wire 329.
The Promised Lands project is featured in an
article by Clive Bell in The Wire 329.
Roy Harper is featured in The Wire
329 in an article by Rob Young.
Roy Harper is featured in The Wire
329 in an article by Rob Young.
People Like Us aka Vicki Bennett is featured in
The Wire 329 Invisible Jukebox, tested by Phil
England.
Following Chris Cutler's response to Kenneth
Goldsmith's filesharing Epiphany, David Keenan looks at the fallout
from music's shifting economy, from the perspective of his webshop
and record shop Volcanic Tongue.
Following Chris Cutler's response to Kenneth
Goldsmith's filesharing Epiphany, David Keenan looks at the fallout
from music's shifting economy, from the perspective of his webshop
and record shop Volcanic Tongue.
Josh Feola looks at Beijing's Noise scene in
The Wire 329.