The folks at Krakow's Unsound festival are
putting together a publication that they'll distribute during the
fest (9–16 October, supported by The Wire). Below, read
contributions and listen to tracks from artists who will be
performing at Unsound, including William Bennett, Christelle Gualdi
aka Stellar OM Source and Natural Snow Buildings.
For seven days in May [1995], Liverpool
reverberated to the signal of the UK's first experimental radio
station. That media-styled 'telephone terrorist', Robin Rimbaud aka
Scanner, tuned in. This article was originally published in The
Wire 137 (July 1995).
Chicago based electronic music producer
Hieroglyphic Being aka Jamal Moss is featured in The Wire
332 in an article by Robin Howells.
Carter Tutti aka Chris Carter and Cosey Fanni
Tutti are featured in The Wire 332 Invisible Jukebox,
tested by Mike Barnes. Chris and Cosey will be performing at
Unsound, Krakow this month. Click here for more details.
Philip Clark's Primer on Militant Tuning in
The Wire 332 looks at how Just Intonation, microtones and
overtones are used as secret weapons in the fightback against the
sonic tyranny of equal temperament.
When Fela Anikulapo-Kuti died in August 1997,
Nigeria lost one of its most controversial and inspirational
cultural figures. Here, the Africa-based writer Lindsay Barrett
maps the extraordinary trajectory of Fela's life, detailing the
emergence of his patented brand of Afrobeat, his anarchic
lifestyle, and the ongoing battles with the Nigerian authorities.
This feature was originally published in The Wire 169
(March 1998).
Robin Rimbaud aka Scanner hails the new
community spirit of social networking sites that encourage direct
communications between artists and listeners.
Robin Rimbaud aka Scanner hails the new
community spirit of social networking sites that encourage direct
communications between artists and listeners.
Jon Brooks's Music For Dieter Rams
(out on Cafe Kaput) and As The Crow Flies (recorded
under his The Advisory Circle moniker, released on Ghost Box) are
reviewed by Mark Fisher in The Wire 321.
Ian Hodgson aka Moon Wiring Club wrote The Wire 331 Inner
Sleeve on Höhner Accordion Orchestra Hamburg/Heinz Funk's
Accordion Evergreen album.
This month: alienated from her computer,
baffled by download culture, Amanda Brown laments the rise of the
faceless uploader and the attendant decline of the DIY
underground.
This month: alienated from her computer,
baffled by download culture, Amanda Brown laments the rise of the
faceless uploader and the attendant decline of the DIY
underground.
Jan Anderzén, the Finnish frontman of
Kemialliset Ystävät and Tomutonttu is featured in The Wire
330 Invisible Jukebox, tested by Daniel Spicer. Anderzén's newest
release is Nääksää nää mun kyyneleet by Tuusanuuskat, a
collaboration between Tomutonttu and Es, aka Fonal Records’s Sami
Sänpäkkilä.
Read an extract from Stephen Grasso's essay
on Voodoo, Mardi Gras and funk from Strange Attractor Journal
Four, reviewed by Edwin Pouncey in The Wire 330.
Read two extracts from C'est La Guerre:
Early Writings 1978–1983, a collection of writings by The
Wire's regular Size Matters columnist from the beginning of
his career.
The group are well-known in the Ukraine, and
released their most recent album Dolce Vita in spring last
year. They have been touring it for the last year across the
Ukraine, Russia, Western Europe and America.