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The Portal

Portal 07/12/2010

December 2010

Footage of a performance by Ken Vandermark, Andy Moor, Terrie Hessels and Paal Nilssen-Love at Rotterdam's Worm, 28 November, 2009.

The Portal

Portal 06/12/2010

December 2010

"Not Black Metal. Not theory. Not not Black Metal. Not not theory. Black Metal theory. Theoretical blackening of Metal. Metallic blackening of theory. Mutual blackening. Nigredo in the intoxological crucible of symposia."

The Portal

Unofficial Channels Portal

November 2010

"Each album is made using free software at every stage of its production – that is, software which can be modified and freely redistributed, with the proviso that users must be able to continue to customise the code..." – from Keith Moliné's Unofficial Channels article in The Wire 322

The Portal

Portal 10/11/2010

November 2010

"Under No Enchantment (But My Own)" taken from Roberts's 2009 album Spoils, filmed around Glasgow and Callander, Scotland.

The Mire

Lords of the new church

The Church of the Holy Rude, Stirling, site for some of the performances at this year's Le Weekend festival Why do so many so-called experimental music festivals insist on programming events in goddamn churches? (For recent evidence from the UK, see Sotto Voce, Le Weekend, and the slightly too prosaically named London International Festival of Exploratory Music.) No doubt the acoustics are mind-blowingly reverberant, but then the same could be said of an empty factory or warehouse, and let's face it, in the current era of drastic capitalism there is no shortage of such structures, all ripe for creative, even provocative, repurposing. By implication if nothing else, the notion of experimental music has always been bound up with radical and ongoing critiques of prevailing and oppressive value systems, and concurrent attempts to erect new humanistic paradigms in their place. From Luis Buñuel to Lydia Lunch, there is a long...

The Portal

Portal 08/11/2010

November 2010

The artist's rendition of "New Oysters" by the 17th century composer and folk archivist Thomas Ravenscroft was made as part of a series of installations in the square mile, Surround Me: A Song Cycle For The City Of London. The installation itself can be visited/heard at London's Change Alley every weekend until 2 January 2011. Philipsz is currently shortlisted for the 2010 Turner Prize.

The Portal

Portal 05/11/2010

November 2010

The composer will be performing his only UK date this year as part of the London International Festival Of Exploratory Music on 6 November. LIFEM takes place at London Kings Place & St Etheldreda’s Church, 3–7 November and is supported by The Wire. Click here for more information.

The Mire

Adventures In Modern Music 4 November 2010

4 November 2010 on AIMM: New music brought to you by the team behind The Wire magazine, presented this week by Derek Walmsley. This week, to celebrate the forthcoming launch of his new label, we have two exclusive new tracks from former Skull Disco man Shackleton. Now based in Berlin, Shackleton's organic, ethnically tinged style of dubstep was one of the most original strains of electronic music to emerge from London in the late 2000s. His new label, entirely dedicated to his own work, is named Woe To The Septic, and we'll be airing its debut 12" release. Every Thursday 21:00-22:30 (BST), 104.4 FM for Londoners, streamed live at resonancefm.com for the rest of the world.

The Portal

Portal 04/11/2010

November 2010

Recorded at Paper Tiger Studios, Lafayette Street, New York and later broadcast on public access television.

Tetsuo Kogawa will be performing at Cut & Splice festival tonight with Nicolas Collins, Resonance Radio Orchestra and Keith Rowe. London Wilton's Music Hall, 4 November, doors 6:30pm.

The Mire

Adventures In Modern Music: Theme tune competition

The Wire is launching a competition to write a new theme tune for Adventures In Modern Music , the zine’s weekly show on Resonance FM . The theme can be in whatever style you want, created however you want, involve any instrumentation whatsoever, with the only requirement being that it should be roughly two minutes long. The prize for the best entry: it'll be played at the beginning of the show each week, and if that isn't enough, the winner will be interviewed on air (in the studio or on the phone) about their piece, how they did it, what they were thinking, etc etc. The competition is open to anybody and everybody. Entries should be sent as MP3, AIFF or WAV file format to: Derek Walmsley derek@thewire.co.uk with 'AIMM Theme' in the subject line (no attachments over 5mb please – provide a download link if necessary) or in...

The Portal

Portal 02/11/2010

November 2010

A collection of online sound maps compiled by the blog Weird Vibrations. The first post categorises the maps under the themes Collaborative Documentary, Composition/Artwork, Preservation and Policy Data. The second post presents a selection of maps recommended by readers.

The Portal

Portal 29/10/2010

October 2010

In The Dark aims to question the way people think about story telling through sound. To this end, they've recently started a "Sound Bank", which offers funding of £500–£1500 towards the production of new audio pieces of 3 to 15 minutes. They're also hosting an evening of audio works at London's Whitechapel Gallery, 18 November, 8pm.