
Issue 149
July 1996
Stereolab
The switched-on scientists of refried ectoplasmic future-pop tell
Peter Shapiro the secrets of their success and the contents of
their record bags
Paul Schütze
Meet the new generation of minimal composer, as he soundtracks the
20th century's drift into urban meltdown. By Rob Young
Breakbeat descendants
Rob Young investigates the strange, distorted sounds emanating from
the bedrooms of Plug, Jake Slazenger, Squarepusher and Witchman
invisible Jukebox: Ice T
Mike Barnes gabs about Porno For Pyros, 2 Pac, Black Sabbath,
Cybotron, Queen Latifa, Lightnin' Rod and more with the original
gangsta
Global Ear: Paris
Jungle's bush telegraph drums up a storm on the banks of the
Seine
Bites
His Name Is Alive 4AD's perverse pop plunderers, Ikue Mori
Deathless drum machinist, Marque Gilmore Percussion discussions at
160bpm
Sensorband
How to you liven up performances of electronic music? Do what Atau
Tanaka did: get hold of some top-flight music technology and wave
your hands in the air. By Rahma Khazam
Derek Bailey
How did this pioneer guitarist of hairshirt Improv wind up
recording albums of hardcore Metal and North London drum 'n' bass.
Questions by Ben Watson
Otomo Yoshihide
Collaborations with John Zorn, Yamatsuka Eye and others have put
this Japanese turntable terrorist in the frontline of Far East
noie-culture. By Ed Baxter
Joe Zawinul
Fusion's head honcho has travelled a long way, from building
accordions in war-torn Romania to forming Weather Report and
composing symphonies for Philip Glass. By Howard Mandel