
Issue 220
June 2002
DJ Shadow
In pursuance of the pure HipHop strain on his new Private
Press LP, the retiring Californian beatmaster has stood back
from the brink of superstardom to keep his melancholy variant on
instrumental cut-ups keen. By Hua Hsu
Frederic Rzewski
From the mid-60s riot Improv of MEV via encounters with Stockhausen
and Cardew to his new piano works, the radical American expat
composer has been twisting new forms of protest music for four
decades. By Philip Clark
Invisible Jukebox: Super_Collider
Brighton funkmasters Cristian Vogel and Jamie Lidell flex their
wits trying to identify tracks by Prince, Karlheinz Stockhausen,
Sly & The Family Stone, Kraftwerk, Oval and more. Tested by
Peter Shapiro
Bernhard Günter
Rustling at the threshold of audibility, the microscopic
soundworlds of this German artist celebrate Buddhist tranquility,
Japanese notions of transience and decay, and the physicality of
listening itself. By Christoph Cox
Susie Ibarra
Although a late musical developer, this drumming powerhouse has
helped transform downtown New York's avant jazz scene via her
feisty collaborations with Ikue Mori, Milford Graves, David S Ware
and more. By David Mandl
The People Band
Plucking sounds out of the air, this altruistic English Improv
collective, which included film director Mike Figgis, Terry Day,
Davey Payne and others, has been forgotten since their freewheeling
late 60s gatherings. By Julian Cowley
Murcof
Introspection and emotion are not words usually associated with
techno, but Fernando Corona makes it work. By Ejival
Kjetil D Brandsdal
Byron Coley finds more reason to recognise Norwegian music with the
guitarist and Nor Wave pusher.
The Sealed Knot
Slow and steady wins the race with this improv trio of drums, cello
and harp. By Will Montgomery
Global Ear
In Blantyre, John Fenn meets Malawi's answer to The Wu-Tang
Clan
Epiphanies
Philip Clark discovers something fishy about Dave Brubeck
Print Run
Stargazer: The Life, World And Films Of Andy Warhol, by Stephen
Koch; Recollecting From The Past: Musical Practice And Spirit
Possession On The East Coast Of Madagascar, by Ron Emoff; Avant
Rock, by Bill Martin; Open The Door: The Life And Music Of Betty
Carter, by William R Bauer
Ether Talk
Marcus Boon trawls through UbuWeb's massive sound art and concrete
poetry archive
On Location
Freedom Of The City 2002, London Conway Hall, UK; Le Weekend,
Stirling Tolbooth, UK; Aube/ Jonathan Coleclough, Osaka Fukugan
Gallery, Japan; Only Connect: Sigur Rós & Hilmar Örn
Hilmarsson/ Mouse On Mars/ Coil/ Plaid, London Barbican, UK; Ether
Festival: Jeff Mills/ People Like Us/ Cornelius, London South Bank
Centre, UK; Zeitkratzer with Lou Reed: Metal Machine
Music, Berlin Haus Der Berliner Festspiele, Germany; Bios02,
Athens Ime, Greece