Issue 250
December 2004
In Praise of the Riff
Celebrating The Wire's 250th issue, we present a guide to rhythm,
repetition, loops and trance, including Chris Sharp on riffs
breaking away from rock and David Toop on the riff in free
jazz.
Invisible Jukebox: Marshall Allen
The Arkestra leader tries to identify tracks by Coltrane,
Ellington, MC5 and more. Tested by Edwin Pouncey
The Finnish underground
Matthew Wuethrich maps Finland's new DIY folk/ noise underground
Avarus, Kemialliset, Ystävät, Es and more
John Peel RIP
David Stubbs eulogises the BBC DJ and broadcaster who died of a
heart attack in October
Greg Davis
The insomniac Chicago sound researcher creates drones as a cure for
his sleeplessness. By Marc Masters
irr.app.(ext.)
Rob Young dissects San Francisco surrealist musician and sound
artist Matthew Waldron's exquisite corpses
Global Ear
Do you like Boer music? Andy Hamilton reports from Pretoria, South
Africa.
Epiphanies
Susanna Glaser on the fine times to be had in South Wales in the
mid-90s
Print Run
Louis Andriessen: De Staat, by Robert Adlington; Blows Like A Horn:
Beat Writing, Jazz, Style And Markets In The Transformation Of US
Culture, by Preston Whaley Jr; This Is Pop: In Search Of The
Elusive At Experience Music Project, edited by Eric Weisbard.
Cross Platform
Dan Warburton visits Sons & Lumières - a gigantic
sound art retrospective at the Pompidou Centre, Paris.
Plus, reviews of Bruce Nauman at Tate Modern, Villette Numérique,
Cecil Taylor on film, and a new play about Delia Derbyshire called
Standing Wave. Plus Adrian Shaughnessy's Inner Sleeve on Tortoise's
TNT
On Location
Instal.04 in Glasgow plus the Perspectives Festival in Sweden,
Streetmusic Arabe in London, Christian Wolff at 70 in Cambridge,
The Revolutionary Ensemble in New York and Ochre 10 in
Gloucester.
