Columns
Version to version: The Uniques “Gypsy Woman”
April 2022
In the next stop in his journey through reggae music’s extraordinary versions, Chris Lane checks in with Curtis Mayfield’s game-changing vocal group The Impressions
In the next stop in his journey through reggae music’s extraordinary versions, Chris Lane checks in with Curtis Mayfield’s game-changing vocal group The Impressions
“There is movement in everything, even in those things that appear to be still.” Read The Wire 340's Epiphanies column written by DJ, composer and sound artist Mira Calix, who died on 26 March
Sound and multimedia artist Magda Stawarska-Beavan discusses her collaborative soundtrack work with Lubaina Himid as part of Himid's London Tate Modern exhibition. By Emily Bick.
In the second of his journeys through reggae’s extraordinary versions, Chris Lane goes to the Far East with Don Drummond and Judy Garland
In the first of a new column charting the journey of popular songs through generations of Jamaican music, Chris Lane of Dub Organiser and Fashion Records follows the story of a mysterious instrumental by The Supersonics
In the wake of the Afrofuturism festival of arts and music at New York’s Carnegie Hall, DeForrest Brown, Jr examines the liberating potential of the movement’s legacy
Miloš Hroch speaks to the Prague based quartet’s Tomáš Procházka and Jára Tarnovski about their collaborations with Japanese musicians, junkyard instruments and the improv scene in Czech Republic. Plus, Buh Records shares an advance stream of two tracks from their upcoming album Uzu Oto
Anton Lukoszevieze surveys some key works by a Black American composer who was at the heart of the European avant garde
Michael A Gonzales looks back at the life and work of the uncategorisable songwriter, performer and producer
David Toop meditates on what happens when the performance of music is extended over long durations, from all night concerts to sacred rituals that last for weeks
Read Alan Licht’s full transcript of musician, author and critic Greg Tate’s Invisible Jukebox interview from January 2004 for The Wire 240
33-33 share an exclusive recording of Aki Onda's 2019 re-staging of José Maceda's Cassettes 100. Julian Cowley reflects on the performance and the Filipino ethnomusicologist's legacy
Films of two Wire events, featuring O YAMA O and Elaine Mitchener, plus a podcast of a third, featuring Vicki Bennett aka People like Us, have been posted online by Somerset House Studios
Robert Barry looks back at the work of Experiments in Art and Technology from art pavilions to discos with its veteran director
In an extract from a new compendium about West Berlin’s M bands, Beate Bartel, Gudrun Gut and Bettina Köster discuss the formation of Mania D
Ahead of this month’s GIOfest, Una MacGlone of Glasgow Improvisers Orchestra identifies five key factors in creating graphic scores for large groups of improvisors
The composer, musician and writer shares a preview of his new album The Clearing and speaks to Neil Kulkarni about the possibilities of stuttering and the politics of time
JR Moores shares his chapter describing the jinxes that followed the “heaviest and least celebrated grunge band” TAD
The On The Wire DJ and Wire dub columnist remembers the mercurial musician whose one world vision included collaborations with Prince Far I, Stanley Unwin and Muslimgauze
Miloš Hroch talks to the first riot grrrl in communist-era Czechoslovakia