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The Portal

Global Ear: Hong Kong Portal

May 2011

"Based in Brookline, MA, and part-funded by the US National Endowment For The Humanities, Morning Sun is presented by the Independent TV Service and the Center For Asian American Media. One section offers period music, excerpts from feature films, the text of Mao's Little Red Book, personal diaries, and magazine articles; another focuses on the Mao cult. There are plentiful film-clips, music and images of the revolution."

This month's Global Ear on Hong Kong is co-authored by Andy Hamilton & James Steintrager.

The Portal

Ed Baxter Portal

May 2011

Resonance FM's programming director Ed Baxter has curated an exhibition at London's Raven Row gallery that looks at the relationship between sound and art. Entitled Gone With The Wind, the show features work by Max Eastley, Takehisa Kosugi and Walter Marchetti and is featured in an article by Clive Bell in The Wire 328. It takes place 9 June–17 July.

The Portal

Ivan Seal Portal

May 2011

"I remember being really taken with Hill's early works when I was at college. They are at the same time harsh and blunt, poetic and rich."

The Mire

Funky Accordions

"Accordions are banned from the office," comes the judgement as yet another lame East/West dance fusion disc gets abruptly slung out of the CD player. Like any rules, there's exceptions of course, and I'm sure we'll be giving this new Pauline Oliveros album a spin at some point. But It did get me thinking about funky accordions, and in the mid-2000s it seemed you could hardly move for sick beats busting a squeeze box. Roll Deep "When I'm 'Ere", produced by Danny Weed. This sent the Roll Deep producer spinning like a dervish through a million takes on this style. Cut-up accordion action! But not as amazing as this remix, beatless in parts, that surfaced around the same time, just an accordion riff ran backwards and forwards (Eliane Radigue eat your heart out) over a minimal beat. On pirates around this time they would mix...

The Portal

São Paulo Portal

May 2011

"Bar/club on São Paulo's lively Rua Augusta. Host to a variety of artists. Instituto have a residency on the last Thursday of each month, which will regularly feature artists such as Criolo, Emicida and Curumin."

The Portal

Kenneth Goldsmith Portal

April 2011

"Oops! You need an invitation to access these riches: the largest collection of illegal avant garde films in the world. Keep trying."

The Mire

Feeling Listless

The last thing we need is more record lists, right? Well, maybe. No doubt we suffer from a glut of rock-lists. Glossy consumer mags use lists of all types as selling points ("you need these in your life"). When it comes to UK music monthlies, it usually means the same old rock albums, reinforcing the canon with each iteration. Books and websites are now adding to list-fatigue: sites divide lengthy lists-of-the-best-ever into several pages, thus increasing their click thrus but making for fractured reading (the very opposite of what a list should do); meanwhile, those godawful 1010 Records To Hear Before You Expire books conflate musical experience with the dying of the light. Of course, the idea of a record list is inherently problematic. It immediately raises questions: records of what type, and limited in what way? What and whose criteria are we judging by? The very existence of a historic list presupposes a...

Essay

David Toop: All Mix & No Master…?

April 2011

Does the new technology of mix 'n' splice mean the end of Popular Song as we know it? Or the start of a new open-ended dance afterlife? The death of the Original, or the birth of the infinite version? David Toop looks/locks into a brand new time lapse. This article originally appeared in The Wire 103 (September 1992). David Toop reflects on writing the essay below.

Collateral Damage: Kenneth Goldsmith

April 2011

Since Napster launched a global filesharing frenzy, the hunt itself has become more thrilling than finding recorded treasures, argues UbuWeb founder Kenneth Goldsmith. This article originally appeared in The Wire 327 as part of the Epiphanies series

Collateral Damage: Kenneth Goldsmith

April 2011

Since Napster launched a global filesharing frenzy, the hunt itself has become more thrilling than finding recorded treasures, argues UbuWeb founder Kenneth Goldsmith. This article originally appeared in The Wire 327 as part of the Epiphanies series

The Portal

Bedroom Rap Portal

April 2011

"A minimalist Tumblr run by New Haven rapper Left Leberra, where he showcases songs, video clips and graphic design experiments."

The Mire

Erotic Neurotic: (not so) slight return

After that last post I got into an extensive email correspondence with Amanda Brown during which she made some clarifications regarding her 'sex and sexiness' comment and which it seems to me are worth noting here, if only to fill in the picture a little more. In one mail Amanda states: "I guess when I told Simon I wanted to be sexy and invest in sexiness, I said it because I feel like women are so afraid of that now in the underground. It's like, don't look at me like I'm sexy, look at me like I'm a man. Which we aren't, obviously..." In another mail she writes: "I think it is time for women who don't dress sexy or don't sing about sex or project themselves as sexy to reclaim sexiness, as soulfulness and sensualness." The message here seems pretty clear: attitudes towards female sexuality that prevail in the underground are as oppressive and distorted (which is a point...

The Portal

Jenny Hval Portal

April 2011

""Ruminations While (Audio) Walking: Time, Place, And The Body" by Justine Shih Pearson is both a partly written, partly recorded essay about listening."

The Mire

Erotic neurotic

"I don't know how it comes across when I say this, but I am deeply invested in sex and sexiness," Amanda Brown tells Simon Reynolds in the May issue of The Wire . Even though it is expressed in that peculiarly American way that makes Amanda sound like she regards the very fact of her being in the world as a business venture to be injected with regular shots of cultural capital, what she is actually talking about is her vision for the kind of artists and music now being issued by Not Not Fun, the label she runs with husband Britt out of their home in Eagle Rock, LA, and in particular its hot little sister imprint, 100% Silk. As Simon points out, both Amanda's and Not Not Fun's roots lie deep in America's post-Riot Grrrl Noise/lo-fi DIY underground. This is a realm where sex exists purely as metaphor, something to be invoked or mobilised only in...

The Portal

Olivia Block Portal

April 2011

"I refer to this site all of the time, and I love that the content is always updated. There are some iconic sound and video works available on UbuWeb that were previously available through art school libraries and museums only."