The weather thus far has been warm and humid, so
you can wander the city and venue-hop way into the night, but
yesterday the heavens opened on and off throughout the afternoon.
Mutek's outdoor picnic went ahead just about, we hear, but we were
at our stall in Monument-National watching the rain storms come and
go.
The music began in earnest at around 7pm at Sat with Vladislav
Delay, and the programe (including CM Von Hausswolf) was centred
around various takes on tone-experiment/drone/beatless exploration
– a somewhat abstract line-up for a Saturday night. I only
made it down to the venue a little later when Tim Hecker was on,
and the place was completely dark, so Hecker himself was only
visible in silhouette, with shards of guitar chords just about
sensible through the churn of effects. Hecker was doing this before
many others, and moments of it hit home. A melody would be routed
through his laptop again and again and when...
Our series of four artist Q&As are complete –
The Caretaker and Mouse On Mars completed the set yesterday, and
all four should be available to download soon. So last night was
the first time we got out on the town proper, heading away from the
main Monument-National venue and into the clubs – although as it
happens, they're just across the road. Sat and Club Soda are right
over the street, separated by a few strip clubs. The main area of
Mutek used to be (and still partially is) a red light district, and
there's a square just around there which is a big area for street
drinkers, but with the number of people on the street due to
Montreal's balmy weather, it's a intimate, friendly atmosphere both
inside and out the clubs.
Club Soda has one main room with a high ceiling and balconies
down the side, everything pointing your attention to the stage,
with concrete and metal decor...
Greetings from Montreal, where The Wire is
stationed for the next four days or so. We're currently in our
hotel room trying to shake off jetlag by watching a selection of
YouTube clips of schmaltzy ballads and power rock posted by Leyland
James Kirby. It's working.... we think. All these old school Yello,
Daryl Pandy and 80s rock clips are taking us back just
enough in time so that we sync with where we left our
bodyclocks in the UK. Our coffee machine isn't working, sadly, and
Nathan Budzinski is behind me reading Cold World: The
Aesthetics Of Dejection And The Politics Of Militant
Dysphoria , but apart from that everything's rosy, and the
festival has been impressive.
The is the first time we've been to Mutek - we're in the middle
of a selection of Q&As presented in association with the
festival, and after Matmos and King Midas Sound we've got Caretaker
and Mouse On Mars today at...
Glasgow-based director, animator and sound designer Konx-om-Pax
aka Tom Scholefield (designer/director for Hudson Mohawke and Jamie
Lidell amongst others) has put together a club night as part of his
Display
Copy project (studio and record label). Forthcoming gigs
scheduled are: Oneohtrix Point Never, Tomutonttu, DJ set from
Konx-om-Pax and special guests. Glasgow Artschool ,
29 May, 11pm–3am, £5/6. Gescom, Konx-om-Pax and Guy Veale, Glasgow
Ivy Bar, 4 June, 8pm–12am, free.
Download
Konx-om-Pax's Display Copy mix here
1. City Scum Shot, “The Bamboo Vein”
2. Grippers Nother Onesers, “After Dark Cravings”
3. Ducktails, “Seagull’s Flight”
4. Dolphins Into The Future, “Lone Voyager”
5. Tod Dockstader, “Knockwhistle”
6. Tom Dissevelt & Kid Baltan, “The Visitor from Inner Space”
7. Bruce Haack (Miss Nelson And Bruce), “Mudra”
8. Conrad Schnitzler, “Trigger One 2″
9. Irsol, “Concentration”
10. Tolerance, “Sacrifice”
11. Stephen Mallinder, “Length of Time”
12. David...
Eccentric electronic composer/lecturer/performance artist
Goodiepal (real name Parl Kristian Bjørn Vester) from the Faroe
Islands who has been living in London for the past few years doing
workshops at his residency in Bethnal Green, is now on the run from
Danish Police. Sort of. This morning he booked a series of full
page adverts in The Wire , to be published in the July
issue, and subsequently phoned me from the Faroe Islands where he
managed to get to by boat from Iceland. Goodiepal left the Århus
conservatory of music in 2008, when he was fired - as he puts it
himself - because, according to the university’s heads, he wasn’t
following the teaching plan. He’s since spent his time touring his
performances and lectures wordwide, preaching, in his own peculiar
fashion, how to reinstate the notion of utopia back into electronic
music. Sporting a handlebar moustache and wig - he’s every bit the
mad professor –...
A quick heads up for Brighton Wire folk: Joseph Stannard's
psych/prog/kraut/cosmic/electronic extravaganza The Outer Church
touches down again on 9 June, with a special guest DJ in the shape
of Moon Wiring Club’s Ian Hodgson, who promises "AN ELECTRONIX
FIZZPOP SLURRED ITALO SYNPOP SPACE EXPLOSION". We don't know as yet
if he'll be DJing in capitals. That's his marvelous flyer above.
There'll be the usual music from Giorgio Moroder to Mordant Music
to Magma. It takes place at The Penthouse @ The Freebutt and it's
FREE.
elnicho , a
mail order project for experimental music (who co-curated the
recent Radar festival in Mexico City ), has curated an evening
celebrating the musically omniverous, globe-spanning Sublime
Frequencies series. The evening will feature tunes and
projections culled from the extensive Sublime Frequencies
catalogue, along with wild dancing. It all takes place on 13 May at
the Galeria del Comercio , a gallery for free public art
projects on the streets in Mexico City (in this case, one
particular corner).
Links:
• press page with streaming playlist, videos and
articles
• elnicho blog (in spanish): focus on Sublime Frequencies
with Alan Bishop's interview and selected reviews
• SF on elnicho (in spanish and available in mexico
only)
• Event on Facebook
Sound artist Susan Philipsz has been nominated for the Turner Prize this year (along with The Otolith Group ,
one half of which is The Wire contributor Kodwo Eshun). It
reminded me that we shot some footage of an installation of hers at
the ICA back in 2008.
The Internationale was shown for two days at the
ICA in central
London off The Mall, a wide boulevard leading from Trafalgar Square
up to Buckingham Palace (monarchs use The Mall to impress during
state visits and other ceremonies). To experience the piece, a
small group of visitors were led to the rear of the ICA and up a
ladder onto the bare roof terrace. A single loudspeaker attached to
the façade of the grand building broadcast Philipsz’s voice softly
warbling its way through the anthem of international socialism , blending with
the background...