The lone producer discusses horror films, the hurricane season and hopeful futures

Ahead of two new films In Fabric and The Field Guide To Evil, the UK director and screenwriter speaks to Lara C Cory about working with Stereolab's Tim Gane, and the role of music and sound in his films

“I think it’s safe to say, I have an obsession with decay. It’s always been about things breaking down or simply fizzling out.” The Wire contributor Jim Haynes shares his interview with the Main man who specialised in sculpting drumless space

The audio-visual artist discusses package holidays, Cream CDs, the hardcore continuum, the tragedies of youth and how to say farewell to unfinished business with The Wire Online Editor Daisy Hyde

Read a previously unpublished conversation conducted for The Wire contributor’s No Wave book

Anthony Child releases a new LP this month, and speaks to Meg Woof about techno through a psychedelic lens, unplayable records, and annoying the dance scene

“I believe that something does not diminish by doubling it and duplicating it, and I don’t believe in the art gallery ethic of the less there is of something, the more value it has,” declares the UK collagist

The DIY culture archivist talks about preserving artistic integrity, his home archive and extensive online database Tape-Mag

Following a special show in London last month, Shane Woolman speaks to the Turkish artist, activist and label boss

A Q&A with Elaine Mitchener about her performance piece Sweet Tooth – a visceral, overwhelming indictment of the role sugar and the slave trade played in building the British Empire

The Wire's Deputy Editor talks to the artist about freedom, fragility and his new EP Heute Will Ich Frei Sein

Filippo Cicciù speaks to Turkish psychedelic explorers Baba Zula, who're playing in London at the end of January

In advance of a major Hyperdub compilation Diggin' In The Carts: A Collection Of Pioneering Japanese Video Game Music, Sara Drake talks to co-compiler Nick Dwyer about a project that sets to give credit where credit's due

Following the recent rework of the legendary Black Ark album Super Ape, David Katz speaks to Lee ‘Scratch’ Perry and Emch Subatomic about how 40 years on, the album holds weight with the youth of today

William Hogan and David Titlow discuss the golden age of CB radio and their new book Eyeball Cards: The Art Of British CB Radio Culture with Deputy Editor Emily Bick

As SoundCloud is under threat, technologist Mat Dryhurst explains the potential for a blockchain-based tokenisation system to put the platform in the control of the musicians who use it

Musician Anton Nikkilä and filmmaker Mika Taanila talk to Jennifer Lucy Allan about archive recordings by their high school six piece, Swissair

“Clone Records is a label that has 25 years in business and still has no hit record. So basically it’s a complete failure and therefore we're still around,” says Serge Verschuur of Rotterdam's leading electro label and shop. To mark its anniversary he talks to Meg Woof about music and the dance of time

Philip Clark talks to the composer about a new work to be performed at The Long Now in Berlin

On the closing weekend of Berlin's 30th Transmediale festival, the multimedia artist talks to The Wire's deputy editor about language, stories and the breakdown of democracy