Follow film maker Peter Strickland's top choice of the web, including sites devoted to favourite Soviet bus stops, visual music and more. Strickland and his film Berberian Sound Studio are the subjects of an article by Daniel Spicer in The Wire 343.
Kirkley, author of The Wire 342 Global Ear article on the 'Balani Show' sound system street parties of Bamako (capital of Mali) presents a short run down on internet based ethnography, music collecting and micro genres.
The author of Berlin Sampler curates a list of archival links on the history of Berlin's music scene.
Read Ian Rawes of the London Sound Survey sound map website's top picks of web links. Rawes and the London Sound Survey are featured in The Wire 341 in an article by Nathan Budzinski.
Follow the composer and Zeitkratzer founder's top picks of the web. Friedl is the subject of The Wire 341 Invisible Jukebox, tested by André Vida.
Find out about artist Ruth Ewan's top picks of the web. Ewan's work is featured in The Wire 340 in an article by Agata Pyzik.
Find out about Julian Henriques' choice picks of the web. Henriques is the author of The Wire 340 Global Ear: Kingston.
Follow Ralph Cumbers aka Bass Clef's top picks of the web. Cumbers is featured in The Wire 340 in an article by Joseph Stannard.
Digital transparency has revealed dimensions to African music beyond Western received ideas. But how to market it sympathetically, asks Brian Shimkovitz
Digital transparency has revealed dimensions to African music beyond Western received ideas. But how to market it sympathetically, asks Brian Shimkovitz
Follow the choice links of Brian Shimkovitz, the man behind the Awesome Tapes From Africa blog and label, and author of the Collateral Damage article in The Wire 340.
Follow Atom™ aka Señor Coconut aka Uwe Schmidt's choice picks of the web.
Follow artist and musician Benedict Drew's choice links to cartoons, music and other online ephemera. Drew is featured in The Wire 339 in an article by Nick Cain. Drew's Gliss exhibition takes place at London's Cell Project Space, 19 April–27 May.
Circulating music as resource-free downloads might reduce carbon footprints, but the fast turnover of the computers, MP3 players and mobile phones we play them on costs the Earth plenty, argues Phil England.
Circulating music as resource-free downloads might reduce carbon footprints, but the fast turnover of the computers, MP3 players and mobile phones we play them on costs the Earth plenty, argues Phil England.
Find out about sound poetry via online resources, as selected by Julian Cowley, author of the sound poetry Primer in The Wire 339.
Follow Hanna Tuulikki's choice selection of links. Tuulikki is featured in an article by Clive Bell in The Wire 338.