Derek Walmsley presents Adventures In Sound And Music: Apron special
June 2021

Apron logo
The 10 June edition of The Wire's weekly show is a record label special dedicated to Apron Records. Steven Julien’s electronic funk imprint celebrates its tenth anniversary, and host Derek Walmsley provides a cosmic survey of their retro-future visions
Steven Julien
“Hunt (Slowed Down)”
From Bloodline (Slowed Down)
(Apron)
Zopelar
“Cidade Jovem”
From Universo
(Apron)
Delroy Edwards
“Funny Styles”
From Dubonnet
(Apron)
Quaid
“Private Myths”
From Dreem Static
(Apron)
Senay
“Osiris”
From Osiris
(Apron)
Mighty Baron III
“Scrwe’d”
From Mighty Baron III/Sun Runners 女神の恋人達
(Apron)
Steven Julien
“Queen Of Ungilsan (Slowed Down)”
From Bloodline (Slowed Down)
(Apron)
Max Graef
“Purpuner Nürnwurz”
From Apron EP
(Apron)
Brassfoot
“Quad By Quad”
From Apron EP
(Apron)
Steven Julien
“Beat Crash”
From Apron EP
(Apron)
Moroka
“Glassala”
(Apron)
Lord Tusk
“No Regrets”
From Metropolistic
(Apron)
Lord Tusk
“AM-PM”
From Metropolistic
(Apron)
Ratgrave
“Big Sausage Pizza”
From Ratgrave
(Apron)
Ratgrave
“Ein Kola Bitte!”
From Ratgrave
(Apron)
Shamos
“Palace Pavilion”
From Games And Dreams
(Apron)
Shamos
“Training Day”
From Road Works Part 1
(Apron)
Jarren
“Fye”
From Apron 45
(Apron)
Steven Julien
“BLK808”
From 8-Ball
(Apron)
Steven Julien
“TEER”
From 8-Ball
(Apron)
Comments
Compelling set, and this month's issue presents an important survey (and critique) of radio as the idea of broadcast inexorably morphs into what we thought we always wanted, and yet again not. And as we know, dictionaries are not rulebooks, but records of use, and "radio" is vastly, conclusively and irretrievably digital and online. Leaving the heady Ekverse topic aside, since all ptp involves streaming at the endpoint level, radio forms a compact--at its best, a bond between trusted advisor and listener.
For a rapidly-dwindling elder cohort entering this third decade, "radio" was, and is only, amplitude- or frequency-modulation. Transmitters slapped on a mountainside, antennas dotting the landscape, transistorized plastic boxes.
Also leaving the commercial question aside, which is not germane to issue 449 or the mission of community radio and exploration of content. As a personal example, my divorce from American FM was finalized around '79 or so, when commercial offerings were comparatively light years ahead of today. As a young person with a shortwave, I experimented idly, but inklings of something wider kept filtering through the muck. Recollection of standing on a beach in Venice, mid-80s with a fellow traveler, Australian and his transistor: "you Americans have really great radio!" Umm, no, not at all, really (LA was somewhat tolerable at that time, but still) but I wondered then how dire or good programming was in other lands.
So ResonanceFM and many others extend that original wireless compact (ironic morph again, from the Marconi days). Exemplary.
cheers GH
Gary Higgins
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