The world's greatest print and online music magazine. Independent since 1982

Video
Subscribe

Donate now to help The Wire stay independent

The Brazilian guitarist shares a video from his new album released by Brighton label Hive Mind

Belo Horizonte based musician Rodrigo Tavares has been playing improvised guitar since he was a child, but his new album Congo is his first ever release. Despite his lifelong relationship with his instrument, Tavares insists the album's improvisations are not personal statements. “I wanted the improvisation to be more fluid, like a line of flight,” he told Francis Gooding in The Wire 412. “Like something that grows out of the music – like a garden, like a plant, but it’s not like a personal expression.”

Made by film director João Dumans, the video takes a more abstract approach than his usual work. “It references the ‘pre-Big Bang’ aspect of the concept of Congo developed by Brazilian artist Arthur Omar,” Tavares explains over email, “the amorphous forces at play before an identity is formed.”

Congo is released by Hive Mind. Wire subscribers can read Francis Gooding's interview with Tavares by logging on to the online archive.


Adrián de Alfonso: Pleamar

Watch a short film that accompanies three tracks from sound artist and musician Adrián de Alfonso’s new album Viator.

goat (jp): Joy In Fear

Watch a 16 minute concept film of tracks from Joy In Fear, the 2023 album by Japanese rockers goat (jp)

Steph Richards “Power Vibe”

The US trumpeter shares a supernatural LA noir created with the help of generative AI for a track from her latest album Power Vibe

Xhosa Cole All Roads

The saxophonist shares a film in which he dances with his two brothers beneath Birmingham’s Spaghetti Junction

ECHOS: L'Ocelle Mare “Objets Chargés”

French label and platform Murailles Music shares the first episode in a new series of music documentaries highlighting the unique methodologies of artists on their roster

Galya Bisengalieva “Chagan”

Directed by artist Nicol Vizoli, the video for composer Galya Bisengalieva's “Chagan” reflects on the haunting nature of a radioactive lake in Kazakhstan