The world's greatest print and online music magazine. Independent since 1982

Video
Subscribe

Donate now to help The Wire stay independent

Alongside her recent explorations into broader compositional structures, the guitarist continues to acknowledge respect for the riff

Norwegian guitarist Hedvig Mollestad has often shown appreciation toward her influences through her work. Titles of earlier tracks pay homage to the likes of Led Zeppelin and Beastie Boys as fellow travellers in the world of catchy, heavy-riffage rock. In her interview with Mike Barnes in The Wire 456, Mollestad explains how her more recent releases are a slight departure from her work with the Hedvig Mollestad Trio: “I really had the urge to work with other musical structures and systems”, she explains, “– longer, broader, not so explosive – than we were working with in the trio.” Her most recent release Tempest Revisited (commissioned in 2018 and released in 2021) incorporated acoustic instruments and voice, and her upcoming album Maternity Beat is written for a 12 piece ensemble.

This said, Mollestad has in no way forgotten her riff roots. At a 2021 performance in Oslo, her band finished with a cover of King Crimson's “Red”, which she shares exclusively with The Wire here. ““Red” is to me a defining piece of music”, she explains. “It's aura is so mystical and still extremely in-your-face, and the fact that the main guitar riff is depending on a great band for the totality to be magic, is to me extremely appealing.”

Read more about Mollestad's influences and recent work inside The Wire 456. Subscribers can also read the article online via our digital archive.

Adrián de Alfonso: Pleamar

Watch a short film that accompanies three tracks from sound artist and musician Adrián de Alfonso’s new album Viator.

goat (jp): Joy In Fear

Watch a 16 minute concept film of tracks from Joy In Fear, the 2023 album by Japanese rockers goat (jp)

Steph Richards “Power Vibe”

The US trumpeter shares a supernatural LA noir created with the help of generative AI for a track from her latest album Power Vibe

Xhosa Cole All Roads

The saxophonist shares a film in which he dances with his two brothers beneath Birmingham’s Spaghetti Junction

ECHOS: L'Ocelle Mare “Objets Chargés”

French label and platform Murailles Music shares the first episode in a new series of music documentaries highlighting the unique methodologies of artists on their roster

Galya Bisengalieva “Chagan”

Directed by artist Nicol Vizoli, the video for composer Galya Bisengalieva's “Chagan” reflects on the haunting nature of a radioactive lake in Kazakhstan